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An Outdoor Room
by Katy Purviance on 04/30/08 @ 04:58:40 pm
Categories: Green Design | 1033 words | 200 views

You have to read this article by Robert Campbell of Boston Globe fame.

I bolded my favorite parts. I even included the writer’s email address.

WASHINGTON - In a small space, with a modest budget, a new kind of green roof here is so inventive it changes the way you think about what a roof can be.

Green roofs are a hot item in architecture. Mayor Menino, for one, advocates them for all new buildings in Boston. But they’re often uninteresting as architecture. The usual version is a flat surface planted with sedum, looking like a big rug or maybe a stretch of semi-desert landscape.

This one is different because it’s three-dimensional. As you emerge from a stairway onto the roof, you find yourself flanked by two green mounds, each about 8 feet high. You don’t feel exposed or threatened. The mounds embrace and protect you, and they shape a small social space. Someone, you realize, has created a landscaped enclosure up here, an outdoor room. It’s a place you can inhabit, not merely stand on top of.

Looking down at your feet, you realize you’re walking on a light aluminum grating, three inches above a field of, yup, sedum. That often boring plant feels, as you walk above it, like a magic carpet.

And the planting isn’t all sedum, of course. The two mounds receive sun and wind differently in different places. One sloped area is called “meadow and upland,” another is drier and hotter. The owner and the designer are continually measuring and experimenting to see which plants work best under what conditions.

The designer is Michael Van Valkenburgh, a nationally known landscape architect with offices in Cambridge and New York. He’s perhaps best known locally for planting, believe it or not, 250 new trees in Harvard Yard. The client - the owner of the roof - is the American Society of Landscape Architects (ASLA), led by its CEO, Nancy Somerville. The building is the ASLA headquarters, at 636 Eye St. NW, not far from the Capitol.

Americans are laggards in green roofs. The leading country is probably Germany, where there are 50 square miles of green roof. That’s bigger than the entire city of Boston. And that figure is probably already out of date. Every year, the Germans add rooftop gardens totaling four times the area of New York’s Central Park.

The ASLA roof is intended to change that. It is, above all, an educational project. It’s tiny, only 82 by 35 feet, but that’s enough to transmit the lesson. Groups of schoolchildren come to see it. So do professional landscape architects. So do government officials.

In a quiet way, it’s quite beautiful. Among the plants doing well (I love plant names) are flame sumac, trumpet vine, pasture rose, purple lovegrass, nodding onion, and thread-leaved tickseed. The mounds change color with the seasons. Where the building’s structure can bear the most weight, which is atop an elevator shaft, the soil is 21 inches thick and planted with sumac that will eventually grow as tall as 30 feet.

More important than its looks, though, are the tasks the roof silently accomplishes. Cooling, for example. “There’s an identical building next door, built at the same time 15 years ago, which has a flat black roof,” says Van Valkenburgh. “It’s a definite kind of hell.” In the hottest weather, tests reveal, the ASLA roof is 32 degrees cooler than its neighbor.

Some other advantages:

The green roof retains 75 percent of all rainfall, thus keeping 27,512 gallons a year from flowing into the city sewer system. Since much of Washington still uses old-fashioned combination storm and sanitary sewers, the roof is helping to keep overflow waste out of lakes and streams.

It cuts the building’s winter energy cost by 10 percent.

It should last at least twice as long as a conventional roof, because the planting forms a protective blanket over the waterproof membrane.

It helps insulate the interior from sound.

It cleans the air as the plants absorb carbon dioxide and give off oxygen.

It helps reduce the “urban heat island” effect, the tendency of built-up cities to be warmer than rural areas.

It’s an aesthetic amenity, not only for the users but their neighbors.

The mounds help conceal the ugly rooftop utility boxes.

The plantings may provide biological habitat for some species.

The ASLA doesn’t, however, wish to offer habitat to rats. There are a lot of restaurants nearby, and the ASLA is afraid that nocturnal rats may scale the building and feast on leftovers. Nancy Somerville has banned snacking, except for organized events. In architecture, there’s always an unanticipated problem.

Van Valkenburgh compares his roof to the work of the great modernist architect Le Corbusier, who furnished his with daycare playgrounds, small parks, and other social spaces, thus creating a vital architectural skyline as well as a useful roofscape.

There’s one more advantage to green roofs. They allow us to build more densely, without losing recreational open space. And as every study shows, the more densely we build the more energy we save, because people walk, bike, and take public transit rather than drive.

Boston, too, may soon be sprouting some interesting greenery. The Boston Architectural College, which owns a big flat roof on Newbury Street, has decided to green it. Ted Landsmark, the college’s president, says that unlike the ASLA’s, this roof will be accessible by elevator. And a German leader in green architecture is now the architect of a big Harvard science complex, soon to begin construction in Allston. He is Stefan Behnisch, the designer of the fine Genzyme Building in East Cambridge. At Harvard, Behnisch plans both planted roofs and solar panels. He’s working with the Harvard Green Campus Initiative, which is an independent action group within the university that hopes to make Harvard “a global model of sustainability.” This month is National Landscape Architecture Month, and Saturday will be the 186th anniversary of the birth of Frederick Law Olmsted, the father of the profession. Tuesday is Earth Day. Green is in the air.

A superb book about the ASLA roof “Green Roof: A Case Study” has been published by the Princeton Architectural Press.

Robert Campbell, the Globe’s architecture critic, can be reached at camglobe@aol.com.

Check the source

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Killer Buildings
by Katy Purviance on 04/30/08 @ 04:42:12 pm
Categories: Articles | 223 words | 189 views

Bill Dunster wrote the article “Which side are you on? Today’s buildings have all the hallmarks of being designed by a profession happier to serve its paymasters than the environment or the public” for the Riba Journal.

It is now possible to plot the increased numbers of deaths and people made homeless by extreme weather events attributable to climate change each year (excluding tsunamis). These can be set against the rising levels of atmospheric CO2 attributable to the human economy, making profligate energy use an ethical as well as an economic concern. The public of 2050 will inherit a legacy of ‘killer buildings’ whose construction and operation over a 40-year period will have caused the loss of thousands of lives in the contributions they have made to climate change.

He goes on to identify how we as architects…as well as other guilty parties…contribute to the problem.

Read the whole thing

I know this is probably common sense to you, but Bill Dunster gives us some advice:

How refreshing it would be to see urban typologies designed to incorporate many functions, placing offices in shade, and siting housing to optimise both passive solar gain and summer passive cooling. Massing could be shaped by aerodynamic analysis to maximise roof-mounted wind-driven ventilation and summer cross-ventilation – alleviating the urban heat island.

Read the whole thing

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Why do I love indigenous architecture?
by Katy Purviance on 04/30/08 @ 03:59:31 pm
Categories: Observations, Articles | 381 words | 1187 views

I just came across this post on The Carnivore Chronicle.

It reminded me of my Peace Corps days in Burkina Faso, and the mud huts of my village, Pama, not for from the border of Benin.

Bomas are traditional low huts constructed by the Maasai tribe as living quarters. They are constructed from sticks topped with layers of branches and then plastered with a mix of mud and manure. Women traditionally construct the boma themselves, using what is available to them, in accordance with tradition. They have a low flat roof of the same materials and often lack windows, with smoke, light and air sneaking in and out from the spiral entry. The wife sleeps in here with the kids and the smaller animals and cooks with charcoal as well. I had the opportunity to enter one, and it was not an experience that I am eager to repeat. But Laly and Buddy have taken this local building concept and modified it to fit their needs. Their boma has a high ceiling with a layer of tin for rainwater collection under the insulating layers of thatch, which also prevents the shining tin from being visible from the hills across the way. It also has glass windows for light and ventilation and linear sides, creating a more functional space. Their boma is constructed with stones extracted from the surrounding hills that are laid by a local mason using a mortar composed largely of the earth from abandoned termite mounds, which have a distinct adhesive quality from the saliva of termites. Some other bomas, which will be used as staff and visiting student housing, are actually built by the Maasai women of the village, but with the same modifications of waterproofing, windows, a door, and higher ceilings under thatch roofing.

Why do I love indigenous architecture? Let me count the ways.

1. There is something infinitely more pleasing in forming a dwelling with one’s own hands…instead of a computer.

2. It is completely local – from the people who think it up, to the builders, to the construction materials.

3. Building it is often a community endeavor, bonding the community together.

4. It does not require extensive communiques with the Planning and Zoning Board.

5. The inhabitants won’t spend 30 years paying it off.

Read the whole thing

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Chicago - Los Angeles - Miami - New York - San Francisco
by Katy Purviance on 04/30/08 @ 03:22:57 pm
Categories: Events | 259 words | 3662 views

Chicago
Thursday, May 1: Barbara Geiger, design consultant for heritage landscapes, traces the history of the sustainable design movement in Chicago using landscape architects Frederick Law Olmsted, O.C. Simonds, and Jens Jensen’s work to illustrate. 6 p.m.; Millennium Park, 201 E Randolph St.

Los Angeles
Tuesday, May 6: The Hammer Museum hosts this forum on energy independence with David Freeman, considered the country’s premiere authority on energy use, and Robert Bryce, managing editor of Houston-based newsletter Energy Tribune. 7 p.m.; Hammer Museum, 10899 Wilshire Blvd.; (310) 443-7000.

Miami
Friday, May 2: Mikhail Baryshnikov, Johnny Depp and Isabella Rossellini are among the 25 video portraits by avant-garde artist Robert Wilson, now on display at The Bass Museum. For a more traditional take, the museum also dusts off its extensive collection of Flemish, Italian, and Dutch portraiture from the 16th to early 19th centuries. The Bass Museum, 2121 Park Ave.; (305) 673-7530.

New York
Tuesday, May 6: For Masterpieces of Modern Design, the Met shows selections from its extensive 20th century collection, including works by Ludwig Mies van der Rohe, Marcel Breuer, Eliel Saarinen, Charles and Ray Eames, Isamu Noguchi, Verner Panton, Michael Graves, and others. The Metropolitan Museum of Art, 1000 Fifth Ave. at 82nd St.; (212) 535-7710.

San Francisco
Friday, May 2: Before the Industrial Revolution turned us onto synthetic blue pigments, artists and alchemists concocted the color using the woad plant. In this new exhibition at The Hive Gallery, four artists—-Ellen Fader, Judi Pettite, Miriam Fagan, and Jessica Serran—return to the source, exploring natural blue hues in their multi-media work with woad. The Hive Gallery, 301 Jefferson St., Oakland.

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Convert Your Car/Truck to BURN WATER as well as Gasoline--Double Your Mileage!
by Katy Purviance on 04/26/08 @ 12:40:55 am
Categories: News | 509 words | 2846 views

Okay, so this isn’t strictly about architecture, but it is about something you personally can do to produce less pollution and lessen our dependence on oil.

I don’t know about your city, but here in Los Angeles, even The Cheap Gas is now $4 a gallon.

It cost me over $41 this evening to fill up my little Saturn. I used to be able to fill it up for just $20!

(I actually drove it until the “low fuel” light came on. I have been praying for the past week that gas prices would become a little less rapacious before I became absolutely desperate.)

I found this amazing set of instructions that outlines for you exactly how to make a device that will DOUBLE your gas mileage.

Read more.

This device uses inexpensive items that you can find at a hardware store.

Run your car on water.

Learn how you can do this.

This one system is really five hydrogen systems:

1. HHO/BROWN’S GAS GENERATOR (people call it “Hydrogen Generator” but as I said HHO is more powerful than pure Hydrogen), consisting of the Electrolyzer, wiring harness, hoses and installation accessories. Works with Pure Baking Soda in distilled water. Will boost performance in most cars, pickup trucks and big-rigs (large semi trucks). So far has boosted MPG by as much as 185% on a Chevy 4WD truck with Water4Gas, but more realistically you should expect 20%-50% better mileage.

Learn how you can do this.

2. WATER VAPOR BOOSTING SYSTEM, consisting of the Vaporizer, hoses and installation accessories. Works with tap water. Not as powerful as system #1 but can still boost your car’s power and mileage by 10%-15%. Very simple, easy to replicate in 5 minutes.

Learn how you can do this.

3. CHARGED WATER SYSTEM, a unique invention making use of BOTH JARS with distilled water, Pure Baking Soda as well as tap water and hydrogen peroxide (cheap non-hazardous liquid from your drugstore or dollar store). Instructions will be given to you, and you will find this system very interesting. You will need a small aquarium pump and a cellphone charger. This revolutionary use of simple everyday hardware has made cars in Florida, Montana and California improve fuel economy by 40%-50%.

Learn how you can do this.

4. ADVANCED HHO BOOSTING SYSTEM. This system is the best of the best and consists of the Electrolyzer (with the wiring harness, hoses and installation accessories), enhanced by the PCV Enhancer, Fuel Heater and above all MAP Sensor Enhancer or Electronic Fuel Injection Enhancer. Works with Pure Baking Soda in distilled water. Works best in newer cars (1996 and newer). So far has boosted MPG by 107% (double mileage).

Learn how you can do this.

5. HEALTHY DRINKING WATER MAKER, a unique use of BOTH JARS with distilled water, Pure Baking Soda as well as filtered water (no hydrogen peroxide this time). Here too you will need a small aquarium pump and a cellphone charger. UNIQUE system that you cannot find anywhere else - rivals drinking water chargers costing $2,500-$6,000, yet you will learn to make it for $20-$50.

You could do this over the weekend. Seriously.

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Europe 40 Under 40
by Katy Purviance on 04/25/08 @ 05:11:19 pm
Categories: Articles | 126 words | 459 views

Let me introduce you to Alberto Veiga’s headquarters of Ribera del Duero Wine in Roa near Burgos, Spain

Don’t you want to just climb into all those holes?

Alberto Veiga is one of Europe’s 40 Under 40.

The “Europe 40 Under 40” program was initiated by The European Center as an annual program to spotlight and identify the next generation of architects and designers who will impact future living and working environments, cities, and rural areas.

Presented annually, the program is open to all young architects, landscape architects, urban planners, industrial designers, graphic designers, and fashion and textile designers who are under the age of 40 who are working independently or in a firm or on a specific project where they are the lead designer.

Look at all the pretty pictures

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More work for the Disney people
by Katy Purviance on 04/25/08 @ 04:47:21 pm
Categories: Articles | 169 words | 211 views

Would you want this commission?

Llewellyn Werner admits he is facing obstacles most amusement park developers never have to deal with – insurgent attacks and looting.

When you are building an amusement park in downtown Baghdad, those risks come with the territory.

Mr Werner, chairman of C3, a Los Angeles-based holding company for private equity firms, is pouring millions of dollars into developing the Baghdad Zoo and Entertainment Experience, a massive American-style amusement park that will feature a skateboard park, rides, a concert theatre and a museum. It is being designed by the firm that developed Disneyland. “The people need this kind of positive influence. It’s going to have a huge psychological impact,” Mr Werner said.

The 50-acre (20 hectare) swath of land sits adjacent to the Green Zone and encompasses Baghdad’s existing zoo, which was looted, left without power and abandoned after the American-led invasion in 2003. Only 35 of 700 animals survived – some starved, some were stolen and some were killed by Iraqis fearing food shortages.


Read the whole thing

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I think about a sentiment or an emotion that I'm trying to capture with an environment
by Katy Purviance on 04/25/08 @ 04:41:25 pm
Categories: Articles | 116 words | 5937 views

One of my favorite blogs, BLDGBLOG, has interviewed Daniel Dociu who designs architecture for video games.

Architecture in Video Games

Seattle-based concept artist Daniel Dociu is Chief Art Director for ArenaNet, the North American wing of NCSoft, an online game developer with headquarters in Seoul. Most notably, Dociu heads up the production of game environments for Guild Wars – to which GameSpot gave 9.2 out of 10, specifically citing the game’s “gorgeous graphics” and its “richly detailed and shockingly gigantic” world.

Dociu has previously worked with Electronic Arts; he has an M.A. in industrial design; and he recently won both Gold and Silver medals for Concept Art at this year’s Spectrum awards.

Architecture in Video Games

Read the whole thing…or just look at the pictures

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Della Valle Bernheimer & The Tree Canopy Synthesis
by Katy Purviance on 04/24/08 @ 11:11:43 pm
Categories: Architects, Videos | 54 words | 248 views

He got the idea for a house from tree canopies – maybe the whole house could be a heavy, floating object.

He got the idea for a building from the billowing plumes of smoke rising from a locomotive.

Watch the video to see what I’m talking about:

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Fritz Haeg & his Animal Estates
by Katy Purviance on 04/24/08 @ 10:50:37 pm
Categories: Videos | 138 words | 208 views

You’ve probably heard of Fritz Haeg and his Edible Estates.

Los Angeles architect Fritz Haeg narrows the divide between residents and their communities with projects like Edible Estates, an international effort to convert front lawns into working food gardens.

I just found this great video for you where he talks about his next project.

Animal estates.

No, it doesn’t entail growing your own animals on your front lawn.

It’s an installation at the Whitney Museum in New York.

He selected ten animals that used to live on that very spot. And he built their habitats.

And then, in the video, you can see a gathering where people dance in the style of those animals. There was something primal about it that appealed to me. I hope you like it too.

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Where is everybody?
by Katy Purviance on 04/23/08 @ 12:08:00 am
Categories: News | 116 words | 472 views

Have you noticed my ClusrMap on the right hand side?

(Scroll down a little, you’ll see it.)

It identifies the location of architecture addiction blog readers.

(I just put it up maybe about ten days ago, so it only has the stats since then.)

Click on it to make it big enough to see.

Our community stretches across the globe! You have fellow architecture addicts on every continent!

Join the Official Architecture Addiction Facebook Group so that you can get to know your fellow addict (besides never sleeping again). It’s our forum. Tell us about yourself and what you hope to accomplish as an architect. And tell me if I’ll see you at Harvard this fall!

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Architects Leading the Sustainable Evolution
by Katy Purviance on 04/22/08 @ 11:47:53 pm
Categories: Architects, Green Design | 102 words | 590 views

You want to be the change you see in the world, don’t you?

There’s been a lot of talk about changes in our climate lately. CO2 emissions, dwindling resources, and energy usage are growing concerns in every walk of life. AIA Architects, in particular, want to address those concerns. We strongly believe that the time for talk has passed, and now it is time to walk the walk.

You are invited to join us on this journey towards a more sustainable future. Choose your pathway and learn, discover and walk along with us. Together we can achieve amazing things.

Learn more

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Join the AIAS at the World Congress of Architecture in Torino, Italy
by Katy Purviance on 04/22/08 @ 11:41:23 pm
Categories: Events | 179 words | 611 views

Transmitting Architecture
Please join members of the AIAS and thousands of other students from across the world at the International World Congress of Architecture in Torino, Italy to be held on June 29-July 3, 2008. The event is offered by the International Union of Architects (UIA).

The UIA Congress takes place every three years and brings together thousands of architects and architecture students from countries throughout the world. The Congress centers around a chosen theme and includes lectures by the world’s preeminent designers, debates, exhibitions, tours and festivals that provide a unique platform for the exchange of cultural contacts between fellow professionals and students. This year’s theme is “Transmitting Architecture.” The Congress also includes Arkitektonika, the international exhibition of products, projects and processes for architecture, building and design.

Leaders from the U.S. architecture community will be attending including the elected officers of the AIAS. It will be an opportunity to build relationships with students from across the world.

For more information and to register, please visit the official Web site. Note that you will need your passport number when registering.

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Only 364 More Days Until Earth Day
by Katy Purviance on 04/22/08 @ 11:37:42 pm
Categories: Observations | 271 words | 1345 views

What did you do for Earth day?

My employer held an Earth Day-esque thing yesterday. Vendors gave away free samples of feel good natural juices…in disposable paper cups. Stacks of plastic cups stood around water jugs for those who wanted water. Most of the vendors had those stupid little bottle openers and shoe horns or whatever with the name of their business imprinted in them.

This was how my employer celebrated Earth Day. As in, they produced all of this garbage in the name of caring about the earth.

Okay, okay, the electric vehicle people were there. And someone to talk about composting. But really.

Plastic cups for water?

And plastic Frisbees bearing some glib earth message?

I went to this because I had higher hopes. I guess I should have known better. This is LA after all. It’s all about making a big show.

So what did I do for Earth Day?

The same thing I do 365 days a year.

I don’t use plastic bottles. I drink my water out of a glass that I reuse over and over again.

I take an extra two second to select “double sided” when I have to print something.

I bring my mail to the recycling bin at work, since our apartment doesn’t have bins.

I bring my local vegetable lunch to work in a reusable bag.

Doing something nice for Earth Day hardly counts if you only do it once a year.

The next Earth Day is technically 364 days away, but you know what?

Every day is Earth Day.

So, what are you doing for Earth Day tomorrow? Need some ideas?

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AIA Top 10 Green Projects
by Katy Purviance on 04/22/08 @ 10:52:13 pm
Categories: Green Design | 116 words | 197 views

The American Institute of Architects selected 10 projects in 2008 as outstanding examples of sustainable design.

Look at them all

Here’s Number One:

Aldo Leopold Legacy Center
Baraboo, Wis.
The Kubala Washatko Architects, Inc.

The 12,000 square foot building includes office and meeting spaces, interpretive hall, archive and workshop. The center was envisioned as a small complex of structures organized around a central courtyard. This design provides flexibility in managing energy use based on program requirements, creates outdoor spaces for work and gathering, and reduces the scale of the buildings on site. The Aldo Leopold Legacy Center is the first building recognized by the U.S. Green Building Council LEED program as carbon-neutral in operation.

Look at them all

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The Shortest Blog Post Ever: A Frank Lloyd Wright Quote
by Katy Purviance on 04/22/08 @ 10:14:43 pm
Categories: Observations | 22 words | 168 views

“The mother art is architecture. Without an architecture of our own we have no soul of our own civilization.”

Frank Lloyd Wright

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Fun Things to do in Chicago, Miami, New York, San Francisco
by Katy Purviance on 04/22/08 @ 08:45:58 pm
Categories: Events | 166 words | 1716 views

Chicago
Friday, April 25: Born in Ghana and trained at the Royal College of Art in London, David Adjaye stands at the forefront of a new generation of architects. Tonight he discusses his designs for public space. 5-7 p.m.; Chase Auditorium, 10 S. Dearborn, Plaza Level; (312) 922-3432

Miami
Sunday, April 27: The Bass Museum closes Lawrence Murray Dixon: Art Deco Master, an exhibit of architectural renderings and photographs celebrating the forty-two art deco hotels Dixon designed here. The Bass Museum, 2121 Park Ave.; (305) 673-7530

New York
Friday, April 25: French architect and designer Jean Prouvé is the subject of the MoMA’s latest exhibit, which follows his furnishings and prefabricated structures from lab to factory. Through March 30. The Museum of Modern Art, 11 W. 53rd St.; (212) 708-9400

San Francisco
Monday, April 28: Landscape architect Ken Smith, the mastermind behind MoMA’s rooftop space in New York, was recently commissioned to design the 1,347-acre Orange Country Great Park. Tonight, he shares his thoughts on the challenges of urban landscaping. 7-8:30 p.m.; 112 Wurster Hall; (510) 642-4942

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International Student Travel -- Architecture style
by Katy Purviance on 04/22/08 @ 08:11:49 pm
Categories: Field Trips | 172 words | 330 views

Top Ten Reasons to go on an Architecture Addiction: Field Trip

1. Because you can’t caress the ancient Greek columns in your History of Architecture book.

2. Because there’s never enough prosciutto at the Piggly Wiggly, and yet you have a sneaking suspicion that there might be enough to satisfy you in Italy.

3. Because it looks good on your grad school applications.

4. Because you will be the most interesting person that your friends know.

5. Because there’s only so much soul crushing sameness in your local town that you can take.

6. Because we include airfare from all across North America.

7. Because you’ll get to network with other architecture students from all across North America.

8. Because we use local, licensed tour guides who know how to have a good time.

9. Because… have you looked at our prices? We’re cheap! And yet comfortingly all-inclusive.

10. Because what else are you going to do? Stay home?

Take a look to the right to read more about our current offerings. And stay tuned. We’re adding more international Field Trips soon.

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Why I went into architecture
by Katy Purviance on 04/21/08 @ 11:52:13 pm
Categories: Observations, Articles | 499 words | 1242 views

Not having my computer makes me realize something.

I wonder what’s happened to me.

I’ve only had my computer for four years. Which isn’t very long. But add one apartment-breaking-into big creepy crack addict who relieves me of said computer so that he can sell it for drug money into the picture and…I don’t know. I feel a little lost.

Yes I’m on the computer all day at my job (which I was told I was not allowed to blog about, so I guess it’s a big mysterious secret), but it’s not the same. It doesn’t have my conversation-starting polsa kielbasa wallpaper or my collection of meta fiction I wrote one spring break when I accidentally drank fermented carrot juice. Sigh.

My friend Ernest from Cameroon has lent me a laptop until I can get another one. He didn’t even make me speak French first – isn’t that nice of him? It’s got this “Vista” nonsense installed on it, which has served the sole purpose of helping me to decide to get a Mac when I go buy my own.

I miss my computer. But I’m tired of complaining about the robbery , and about LAPD’s institutional apathy. So let’s move on.

WAIT! Before we move on, I have to tell you about one itsy bitsy problem with this otherwise problem-free blog experience.

I just discovered that Internet Explorer does not display the Field Trips!

It won’t show anything at all. (You might have already figured out that the free Spanish Lessons to your right display as a big jumbled mess in IE).

So I added some advice. Just download Firefox. There’s a link to your right, just above the Field Trip Box. It’s pretty much the best PC browser ever in the history of everness.

OKAY! Now I can tell you about this article I just read in the Guardian called “So you want to work in… architecture” by Liz Ford.

Liz interviewed an employer, a university, and an architect to find out what it takes. I think we all know what it takes. But if you’re new to this stuff, I’ll spell it out for you: welcome to the most incredible, life-changing addiction of your life. And maybe buy some coffee.

You’re using your brain - the left and right side. You’re having to be very rational and methodical, but also very creative. I think it’s one of the best educations you can have.

That, in a nutshell, is why I went into architecture. My undergraduate degree in microbiology was like candy for my left brain lobe, but it made my soul feel like it was dying a little bit. Trying out an art and creative writing combo did wonders for my right brain lobe, but I couldn’t help feeling a little irrelevant to the true problems of humanity.

In architecture, I found the complexity and the creative license to feel fully complete, fully alive, and fully addicted do this crazy, wonderful stuff.

Read the whole thing

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What is good for humans, Portugali believes, will be good for the environment too
by Katy Purviance on 04/18/08 @ 02:14:04 am
Categories: Green Design, Articles | 178 words | 357 views

Well this is the most common-sense idea ever, but it made the news, which in and of itself is a sad statement on the commonness of common sense.

So get this: how about actually going to the site before and during the design process? Kinda like everybody and their intern did before the advent of the computer?

In this age of alienation and detachment in which people in increasing numbers, work on computers, Portugali still plans her projects in the field. During the first stages of planning, she is on site.

What is good for humans, Portugali believes, will be good for the environment too. With physical tools like ropes for delineation, she goes about the spot, discovering its terrain and character and how the construction will blend with the environment.

When Portugali plans a window, for instance, she does it in the field because it’s very important to understand what the subject will see from the building through that window, and what passers-by will see when they look at the building from outside.

Read the whole thing

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By persuading the suburban middle class to incorporate the fundamental principles of New Urbanism—using natural ventilation and other low-tech green solutions in houses, for instance, and designing neighborhoods that rely less on automobile transportation
by Katy Purviance on 04/17/08 @ 11:34:46 pm
Categories: Articles | 299 words | 622 views

You know what? I like you. So even though I already gave you the Best Article I’ve Read in 48 Hours to counter the string of Bad News in The Official Bad News Blog Post, I’m giving you another positive, upbeat, let’s-hold-hands feel-good article. Just for you. (The absurdly-long title is also just for you.)

This one comes to us from Architectural Record.

Andres Duany and Elizabeth Plater-Zyberk, the recipients of the sixth annual Richard H. Driehaus Prize for Classical Architecture, plan to take their $200,000 honorarium and invest it—not in stocks or bonds, but in the future of urbanism and the environment. At their acceptance speeches made during the awards ceremony in Chicago on March 29, 2008, the husband and wife team pledged to donate their winnings to a nonprofit research center for the publication of books related to New Urbanism and classical architecture. Richard Driehaus, the Chicago-based investor and philanthropist who sponsors the prize, said he would match their gift, for a total donation of $400,000.

The Driehaus Prize recognizes achievement in the pursuit of traditional, classical, and sustainable architecture and urbanism. Duany and Plater-Zyberk have been dubbed the “parents of New Urbanism.” In addition to maintaining an active Miami-based practice, they co-founded the Congress for New Urbanism, a committee that advocates for the creation of walkable, mixed-use neighborhoods. Duany, now an emeritus board member, says that the group’s charter is currently under debate as the congress considers how to address climate change. He believes that by persuading the suburban middle class to incorporate the fundamental principles of New Urbanism—using natural ventilation and other low-tech green solutions in houses, for instance, and designing neighborhoods that rely less on automobile transportation—architects can make a positive difference.

Read the whole thing. and then go have some pie. You deserve it.

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You could no more expect the same building to function with identical results anywhere in the world than you could expect the same species of tree to thrive in all the world’s forests.
by Katy Purviance on 04/17/08 @ 11:25:34 pm
Categories: Green Design, Articles | 1643 words | 356 views

Okay, I told you I would find you something more enlightening and so here it is. The best aticle I’ve read in the past 48 hours. It’s about Modernism. It’s about Green Design. It’s about the trendiness and corporate adoption of “green” design. It’s about yurts. And, to top it off, it’s about my hero, Michael Reynolds. And if you read all the way to the end, you will be richly rewrded with a link to an Earthship slideshow. (But don’t just scroll to the bottom! That’s cheating!) Enjoy!

For a fleeting moment in November 1989, the staid campus of Ohio State University was the centre of the architectural universe. The occasion was the gala unveiling of the school’s Wexner Center for the Arts, a gallery and performance space designed by Peter Eisenman, who had recently become one of the most celebrated architect-intellectuals in the avant-garde firmament. The year before, his conceptual work had been featured in a landmark exhibit at the Museum of Modern Art in New York, curated by no less than renowned postmodern architect Philip Johnson. It was called Deconstructivist Architecture, and though it included several future superstars — among them Frank Gehry, Daniel Libeskind, and Rem Koolhaas — it was Eisenman who most fully embodied the theoretical bent of the show.

Eisenman liked to talk about distinguishing architecture from mere building, liberating it from the plebeian world of functionality. His designs were not to be lived in but marvelled at, and his sketches could easily be mistaken for rough drafts of a mind-melting Escher drawing. They didn’t look like they even could be built, and precious few of them had been. Instead, Eisenman had based his growing acclaim mostly on his rare virtuosity in the articulation of bold declarations and the crafting of astonishing theory. He was the latest in a line of visionaries who traced back through the likes of Richard Meier, Mies van der Rohe, and Johnson himself, to the legendary Bauhaus and the undisputed twentieth-century champion of the craft, Le Corbusier.

Eisenman’s Wexner Center was the first deconstructivist building unveiled since the canonical MoMA show. It was also his first major commission, the most tangible expression yet of his architectural philosophy. And as promised, it was not very functional: within a couple of years of the gala opening, the Wexner Center’s skylights began to leak. Inside, the temperature fluctuated as much as 40 degrees Fahrenheit over the course of a day, and several of its glass facades were oriented so that they encouraged sun damage to the artwork hanging within. In recent years, the Wexner Center has been given a $15.8-million (US) retrofit to correct its many glaring oversights. Eisenman, asked for comment by the New York Times in 2005, pointed out that similar problems had plagued the experimental designs of Gehry and Mies and even old Corbu himself — as if to say that you couldn’t expect a great master to fuss over such incidental details.

I mention all of this because there’s a MoMA-sized enthusiasm building around the idea of sustainable architecture just now, and in some respects it continues to be dominated by a modernist aesthetic, despite the life-and-death practicality that’s feeding the buzz in the first place. This nascent sustainability boom is a direct response to the emerging catastrophe of climate change, and on the surface it would seem to compel a return to the basics: workaday, theory-proof stuff like energy efficiency, insulation, ventilation, and natural light. In his 1973 bestseller Small Is Beautiful: A Study of Economics as if People Mattered, the iconoclastic economist E. F. Schumacher recommended the construction of “a life-style designed for permanence” — as succinct a working definition of sustainability as any I’ve found. Shorn of its original activist connotations and more recent corporate spin, sustainability dictates a reordering of priorities that returns matters of ecology to their paramount position.

In architectural terms, sustainability demands a return to questions of how to build things instead of merely why. Architecture has long been a tug-of-war between artistic expression and engineering practicality, and indeed Corbu-style modernism was a direct response to belle époque aesthetic excesses in the years before World War I. Many of the original modernists, fond as they were of theory, also obsessed over the practical potential of modernity’s wondrous new materials and technical tricks. Alas, the phase ushered in by Eisenman’s Ohio State debut has marked a return to a sort of baroque intellectual ornamentation, demonstrating with increasing vividness the tragic oversight embedded in the battle cry of “starting from zero” that fired the imaginations of those original European artists: amid all their manifestos denouncing bourgeois adornment, modernism’s innovators have come to forget that there is no zero in nature. You could no more expect the same building to function with identical results anywhere in the world than you could expect the same species of tree to thrive in all the world’s forests. Modernism and its postmodern deconstructivist descendants are prone to mammoth inefficiencies that may be intrinsic to their design approaches.

Strangely enough, the modernist aesthetic continues to dominate, even in the new field of sustainable architecture. The preferred approach to date has been to retrofit modernist designs with every gizmo and sleight-of-hand trick on the energy efficiency market. The skyscrapers of Norman Foster (particularly the elegant passive-solar Bow building now under construction in Calgary) and Robert Fox (whose Condé Nast and Bank of America towers in Manhattan are the examples of first resort in a great many sustainable architecture discussions) might be the most efficient high-rises the free world has yet seen, but they are still, at their core, modernist cubes and curves in glass and steel. It might well be that there’s no such thing as a truly sustainable skyscraper, but such fundamental questions haven’t been given even cursory explorations.

Move to the more pedestrian level of housing, and the practice of sustainable architecture shows even less evidence of any reconsideration of basic assumptions. A sprawling McMansion — even one roofed in solar panels — is still a ridiculously inefficient design. There’s an exemplary demonstration project in southern Alberta — a $19-million subdivision in the town of Okotoks, heated by a solar-powered district heating system — and yet the consortium of government agencies and private developers overseeing it decided to build the actual houses to resemble energy- indifferent, cookie-cutter suburban homes as much as possible. Or consider the September 2006 issue of the sustainability-obsessed hipster shelter bible Dwell magazine. “Green Goes Mainstream” read the cover line above a photo of a Spanish house that, save for its grass-carpeted roof, was essentially a handful of interlocking modernist glass cubes and concrete slabs. Inside, the magazine’s recurring Off the Grid column featured a house that wasn’t off the grid, actually: the sleek new residence of Santa Monica’s green-building adviser, a concrete and glass slab on pilings over a multi-vehicle carport. It was extremely efficient, but it was still tethered to the same electrical grid as the rest of Los Angeles.

It would be one thing if actual off-the-grid living didn’t exist in the modern world — or if, as Dwell’s editor glibly asserted, it was still the exclusive domain of “hilltop yurts with batik curtains and purple carpeting.” There’s the short-sightedness of sustainable architecture’s would-be mainstream champions in a sound bite: in the interest of looking sufficiently slick for the photo shoots, they are ignoring many of the designers best versed in its practice. In a Newsweek feature on the question of “Why Environmentalism Is Hot,” for example, a representative yuppie who had commissioned a “green” home for himself gave a pointed explanation of what kind of sustainable structures he didn’t want: “a yurt, or a spaceship, or something made out of recycled cans and tires in the middle of the desert.” The article didn’t mention whether he knew he was describing actual houses built by a New Mexico architect named Michael Reynolds.

Minus the apparently obligatory yurt reference, the Newsweek jibe was, to be fair, a superficially accurate description of the houses Reynolds builds. He is their all-in-one architect, engineer, and construction foreman, working from a design he’s developed through thirty-five years of trial and error. Although he has built them in hundreds of locales all over the world, the largest agglomeration is on a bone-dry stretch of sagebrush mesa outside Taos, New Mexico, where he himself lives in one and runs his design and contracting business out of another. Reynolds’ houses verge on 100 percent self-sufficiency: they harvest their own water, treat their own sewage, generate their own electricity, self-heat and self-cool. Their walls are usually built from recycled cans and tires encased in some type of mortar. Perhaps most damningly, Reynolds has chosen, to the sound of countless sniggers, to call his houses “Earthships.”

Near as I can tell, though, Reynolds simply does not care what people think of him. He will likely never have a MoMA retrospective, but then as far as he’s concerned those things only go to the builders of monuments to their own egos. He has had to surrender his New Mexico state architecture licence to keep at his project (which has often run afoul of state ordinances and county building codes), so what’s a little lost prestige along the way? If Reynolds is right (and everything that has been revealed about the state of the earth’s climate since he first started his desert housing experiments suggests that he is), then we are, as a human society, sitting on horseback, staring at an endless sea on the horizon, so it’s high time to bid the horse a fond adieu and start thinking about a boat — something that can “sail on the seas of tomorrow.” An Earthship.

Check the Source for an awesome Michael Reynold’s slideshow!

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The Official Bad News Blog Post
by Katy Purviance on 04/17/08 @ 11:12:32 pm
Categories: Events | 466 words | 937 views

We’re on Day Two of: Burglary Recovery, and what happens?

Our next door neighbor is burglarized!

We saw the already classic signs; the clothing strewn asunder, the open kitchen drawers, the missing cash, the missing laptop…

The same shoe print on the kitchen window sill!

I called LAPD and my boyfriend called the retard property manager, who was too busy at his Dairy Queen job or whatever to come over.

I think it’s time to blow this popsicle stand and head to Boston tout suite!

WARNING: MORE BAD NEWS FOLLOWS:

Richard Neutra’s Kauffman house in Palm Springs is going on the auction block in May. Listen to KCRW’s report.

(Okay, is this next piece of bad news worse, or just slightly less worse?)

A Chinese delegation from Beijing arrived in Phoenix last month and headed west to the Sonoran Desert, deep into suburbia. Its destination: a quintessential American residential development in Buckeye, one of the many suburbs dotting the sprawling metropolitan area.

Members of the group studied the streetscape, the golf course, the spa, the cybercafé, the health care amenities and the design of the single-family homes at Sun City Festival, a 3,000-acre, planned community for people over 55. They commented on the cleanliness and orderliness of it all.

The 25 Chinese who toured the Del Webb development were not seniors planning their retirement but government officials and their spouses, a couple of architects and a banker. Their mission: study American suburbia with an eye toward replicating it back home.

No! No no no! Suburbia BAD! STOP THE INSANITY! (But do you still want to read the rest of the article?)

FOR CRYING OUT LOUD! Does the bad news ever STOP?

It has been a tough year for the Neutra VDL Research House II, the fabled glass box overlooking Silver Lake reservoir. Already in need of costly repairs, the house where Richard Neutra lived and worked was damaged further by winter storms that overwhelmed its flat roof, poured rain into the walls and flooded the floors. Then a steady $10,000-a-year revenue stream used to pay for basic expenses dried up.

Now the house’s owner, the nonprofit Cal Poly Pomona Foundation, has announced that it might be forced to sell the landmark and close it to the public if supporters can’t raise upwards of $2 million by the end of next year.

“We need to find money,” Sarah Lorenzen, the resident caretaker of the property, said as she carefully tried to push a loose piece of aluminum railing back onto a balcony. “The deadlines are very serious.”

Read the whole thing and GO VISIT! And pay more than the $10 entry fee so that YOU can help SAVE the VDL!

ENOUGH! I can’t take all the bad news! I’m going to go find you something POSITIVE and ENLIGHTENING to read about!

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Los Angeles: You have broken my heart again
by Katy Purviance on 04/16/08 @ 09:23:16 pm
Categories: News, Articles | 294 words | 218 views

If you’re following the harrowing tale of yesterday’s robbery of my laptop containing my life’s work (plus other valuables), here’s the latest…

LAPD sent their Fingerprint Taking Lady over, a full 26 hours after the “The Mexican Guy Wearing All White” and the “The Black Guy Wearing the Amer-I-Can Shirt” ransacked our place. The left a few nice shoe prints so next the Photography Lady came over to take pictures. Tomorrow they’re supposed to assign a detective to our case, and he’s supposed to get with our deadbeat property manger to get the surveillance images.

I know that it’s highly unlikely that the perpetrators are reading this, BUT IF YOU ARE, I beg you to PLEASE return my laptop. Mine was the one witht the big “WRITE SHIT DOWN” sticker on it. You have made me so sad. You don’t even know.

So in the meantime, I’m using my boyfriend’s teeny tiny litle laptop. And it was from the teeny tiny little screen that I found this little nugget of mirth that I thought I would pass along to you, in case you, like me, are experiencing a time of sorrow.

It’s an article called “LA now a pedestrian paradise.” This is one of my ultimate fantasies. Unfortunately, it looks like this article comes from the Faking Places section of Projects for Public Places. Faking Places is full of my ultimate fantasies and very few realities.

LOS ANGELES–A bicyclist pedaling leisurely down Wilshire Boulevard spots a friend strolling down the sidewalk and pulls over to chat. A tall, tanned man wearing a Versace suit stops in the middle of a crosswalk to flirt with a blonde woman in a short skirt and high heels. Welcome to rush hour in L.A.

Read the whole thing

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I may be going on hiatus temporarily
by Katy Purviance on 04/15/08 @ 09:19:41 pm
Categories: News | 118 words | 164 views

Our apartment was robbed.

They stole my laptop.

And my exernal drive.

Which contained EVERYTHING. All my photographs. All my Sketchup models. All my portfolio PDFs. My novel. EVERYTHING.

Years of work. Gone.

They turned out all my drawers.

The place looks like a disaster.

We’ve been waiting for LAPD for HOURS to come and take fingerprints.

I’m blogging you from our neighbor’s computer. She gave us jack and Cokes and told us to make ourselves at home until the cops come.

Our greatest hope is that the security cameras got the guys who were stupid enough to break into our place during the day time.

Please keep us in your prayers as we recover. We WILL recover.

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Fun for both coasts coming up (non-coast people have to wait)
by Katy Purviance on 04/15/08 @ 03:56:58 pm
Categories: Events | 129 words | 1138 views

Los Angeles
Tuesday, April 22: Pritzker prize-winning architect and UCLA professor Thom Mayne has earned both respect and notoriety for his fractured, seemingly unfinished buildings. Hear him lecture at UCLA this afternoon. 3 p.m.; UCLA, Westwood Plaza at Charles E Young Dr S; (310) 825-2101.

New York
Thursday, April 17: Kate Stohr is the co-founder of Architecture for Humanity, an organization that provides architectural services to communities in need. She is joined by Jens Holm of the Rockwell Group, a New York-based design collective. 6:30-8 p.m.; Museum of Arts & Design, 40 West 53rd St.; (212) 956-3535.

San Francisco
Tuesday, April 22: The International Ecocity Conference Series gathers the innovators, engineers, and businesses who are shaping the direction of sustainable cities, their design, planning, and development. Through April 26. Nob Hill Masonic Center, 1111 California St.

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"After this, Gehry, Rem Koolhaas—boring."
by Katy Purviance on 04/14/08 @ 02:41:54 pm
Categories: Articles | 234 words | 606 views

I just read this article in The Chicago Tribune by Fred A. Bernstein called “Is Bioscleave House art or architecture? Off-kilter design aims to stimulate, provoke, keep occupants on guard”

EAST HAMPTON, N.Y.—The house is off-limits to children, and adults are asked to sign a waiver when they enter. The main concern is the concrete floor, which rises and falls like the surface of a vast, bumpy chocolate chip cookie.

But, for Arakawa, 71, an artist who designed the house with his wife, Madeline Gins, the floor is a delight, as well as a proving ground.

As he scampered across it with youthful enthusiasm last month, he compared himself to the first man to walk on the moon. “If Neil Armstrong were here, he would say, ‘This is even better!’ “

Then Gins, 66, began holding forth about the health benefits of the house, officially called Bioscleave House (Lifespan Extending Villa). Its architecture makes people use their bodies in unexpected ways to maintain equilibrium, and that, she said, will stimulate their immune systems.

“They ought to build hospitals like this,” she said.

In 45 years of working together as artists, poets and architects, they have developed an arcane philosophy of life and art, a theory they call reversible destiny. Essentially, they have made it their mission—in treatises, paintings, books and projects like this one—to outlaw aging and its consequences.


Read the whole thing

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Did somebody say "Ewok Village?"
by Katy Purviance on 04/11/08 @ 09:27:48 pm
Categories: Articles | 202 words | 2570 views

I just read this article in The China Daily by Erik Nilsson called “For a 5,000-star hotel stay, head to treehouse resort.”

Chinese tree houses

There probably isn’t any place in China that resembles an Ewok settlement more than Sanya Nanshan Treehouse Resort and Beach Club.

But rather than being home to the pint-sized, bear-like buddies of the Star Wars heroes, these rustic structures in Hainan province’s Nanshan Cultural Tourist Zone are meant for habitation by tourists.

Nestled in a tropical thicket just a skipping stone’s throw from a virgin beach, some of these dwellings offer vistas of the 108-m-tall bronze Guanyin Buddha. Built in the tourism zone’s Buddhism Culture Park in 2005, the bronze likeness, which is 15 m taller than the Statue of Liberty, has the extraordinarily particular distinction of being the world’s largest Buddha statue standing in the sea.

Staying in one of the resort’s four elevated edifices provides a Robinson Crusoe-like experience for those who love “roughin’ it” that’s difficult to find in a country so enchanted with the luxuries of five-star hotels. As Nanshan Treehouse Resort’s American mastermind, self-described “anti-architect” David Greenberg, says: “Laying out there and looking up at the sky makes for a 5,000-star hotel experience.”

Read the whole thing

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"There is much to learn from architecture before it became an expert’s art."
by Katy Purviance on 04/11/08 @ 09:23:07 pm
Categories: Green Design, Articles | 493 words | 362 views

I just read this article on the AIA site by Michael J. Crosbie called “Sustainability by ‘Amateurs.’”

It’s like I’ve been saying for years. Design like people designed before people became HVAC whores and high-embedded-energy sluts. Use materials that are already at the site. Design according to solar orientation. Channel the wind through the house. Use the earth. Use what you’ve got, again and again and again.

We are struck by how efficient, sustainable, environmentally tuned, recycled, and recyclable these creations are. They put our so-called sophisticated, LEED®-plated buildings to shame.

Here are some design guidelines for you to incoporate into your arsenal of understanding. Enjoy.

1. Design and build with local stuff. I don’t think there is a building in Rudolfsky’s book made of materials that were carted more than a few miles to the construction site. What are the options of doing the same thing on your next project? Our material palettes are much richer, yet there are still lots of choices that can be acquired locally. Building with local materials also helps the local economy, which strengthens the economic sustainability of the region.

2. Use thermal mass. Many of the buildings in Architecture Without Architects are in warm climates and made of substantial materials (stone, brick, mud, tile, or carved into the earth itself) that naturally help to slow the temperature swings within the building. This is a viable lesson and it can help architects in shaping and massing the building for sculptural effect: art from environmental science.

3. Catch the wind. If you are designing in a temperate climate, you may be able to rely less on mechanical cooling and ventilation and shape your building to catch prevailing breezes that will cool and ventilate without expending energy to do so. Again, architectural expression dovetails with this approach. Rudofsky shows us the roofscapes of the lower Sind district in Western Pakistan, animated with windscoops (one for each room) that channel the breeze and bring it deep into the building.

4. Follow the sun. Look at the native architecture that Rudofsky collected and you can always tell where the sun is—its track in the sky, and how the building bends and opens to gather it, but also how it huddles and turns to provide shelter from it. Courtyards, porches, balconies, and arcades open and close, like the aperture of a camera, in response to how the sun moves around the building. These buildings never forget their place on the earth, and respond accordingly.

5. Reuse, recycle, renew. Nonarchitects never seem to have a problem with pulling materials together from different resources (often, old buildings!) to make a new environment. The amount of wasted building materials in our own culture is staggering. Look into the possibilities of recycling part of a client’s existing building into a new one, turn old materials over to recycling centers, and work with manufacturers who have a recycling program for their products.

Read the whole thing

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How they gawped and gesticulated...
by Katy Purviance on 04/11/08 @ 09:13:07 pm
Categories: Articles | 497 words | 970 views

I just read this article called “The eco-town has not landed” by Jonathan Glancey in Building Desing: The Architects’ Website.

In its earliest years, Letchworth was a magnet for sensation seekers. Cheap day excursions by Great Northern from London would bring gaggles of Cockneys up for a laugh to the leafy ways of this idealistic garden town.

How they gawped and gesticulated as they watched the new model Letchworth citizenry go about its business of growing beards, wearing sandals and knitting yoghurt while reading progressive journals and attending lectures on eurhythmics, theosophy and beekeeping. What larks.

Will the new generation of government-imposed eco-towns be treated in much the same way? Farce, it seems, is never far away. Build some spec houses with wind turbines on the roof, add some quango-style jargon about “sustainability” and, hey presto, the New Jerusalem will magically appear in what used to be Dullsworth Palaver, Much Barking and the former RAF Boxkite-on-the-Floodplain. Uncritical, clap-happy reports in the national press of how these instant “communities” have already been matched by the school of “I say this/Make no mistake” commentators. They smelled a rat as soon as “eco-town” slipped from the politicians’ mouths.

The potty thing about “eco-towns” is the unnecessary pother surrounding them. All towns used to be “eco-towns” in one way or another before the arrival of the car. We could house many people by gently extending and infilling existing towns and, if we had the confidence, by building even just one intelligently thought-through and beautifully realised new town.

Meanwhile, the prescriptions issued for central government-enforced “eco-towns” make them sound as risible as Letchworth was to jeering daytrippers. No one, knowing England, will ever expect to find instant, environmentally friendly new towns lived in by saintly Jonathon Porritt types. Nor decent public transport. Nor good schools. Nor, especially, post offices. Tesco, maybe.

The decline and fall of the post office should remind us all of the implausibility of the “eco-town” project. On the one hand, government barks away about “sustainability”, while on the other, it does nothing as we lose a public service that is so much a part of the very “community” spirit ministers are so keen on, even if the only “community” they know is tax-eating, expense-claiming Westminster. Every time a local post office closes, something of true community spirit dies with it, and people reach for the keys of their cars to drive to a non “eco-town” some miles away.

Architects will do their best, I’m sure, to make these “eco-towns” work in terms of individual buildings, but surely we should be able to plan and build new homes wisely without wrapping them in the wallpaper of fashionable jargon while despoiling land best left to kingfishers and water voles.

Nor should any of us celebrate such things while the very same people forcing us to accept “eco-towns” are binning public services, common sense, plain speaking and all the things that help to make a truly sustainable world.

Source

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Architecture to be abolished in South Africa
by Katy Purviance on 04/11/08 @ 09:02:47 pm
Categories: News | 73 words | 167 views

The South African government has announced plans to abolish the South African Council for the Architectural Professions and usurp all its assets and powers.

According to the recently released policy document on the proposed amendments of the statutory regulatory framework of the Built Environment Professions, South African architects will be stripped of their autonomy and self regulating powers before the end of 2008, according to the timetable published by the Department of Public Works.

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"So ugly it made me physically sick."
by Katy Purviance on 04/11/08 @ 09:00:54 pm
Categories: Architects, Articles | 221 words | 343 views

That’s a direct quote from architect John Lautner. He was talking about Los Angeles.

(I like him already.)

He stayed here only because the technologies of the aerospace and military industries had established a culture of innovation. Wealthy residents were willing to take risks and experiment, even when it came to something as elemental as their homes.

The architect wasn’t – and still isn’t – held in high regard among certain critics, who see his homes as symbols of L.A. excess. “If you’re going to run the risks he did and build what Frank Lloyd Wright called exuberance and others called vulgarities, you’re going to build some mistakes,” Olsberg said by phone from his home in Patagonia, Ariz. But even those mistakes are part of Lautner’s biggest legacy in Southern California, a spirit of invention. “That’s what is amazing,” Olsberg said. “There are clients and architects willing to run risks like nowhere else. That’s why Lautner stayed.”

In the forthcoming book, Olsberg details the architect’s childhood influences, his cantankerous and sometimes self-destructive personality, and the genius of his work: a sense of freedom that one feels upon entering Lautner’s best houses – “a form and spatial experience so ravishing,” Olsberg said, “it brings you to tears – to walk in and have the world open up.”

Read the whole thing

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It's about a chair
by Katy Purviance on 04/11/08 @ 04:09:10 pm
Categories: Products | 50 words | 188 views

Okay, so this isn’t strictly about architecture or green design or urban planning (or another rant about the LA traffic).

It’s about a chair.

A Chair Affair Chair.

It’s so cool. I just had to show it to you. (Even if you’ve seen it before? Have you seen it before?)

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You HAVE to go to this
by Katy Purviance on 04/11/08 @ 04:06:02 pm
Categories: Events | 79 words | 856 views

You are cordially invited to attend this year’s Alt-Build.

When I heard about it, that was all I needed to know. The “Alt” part followed by the “Build” part.

Luckily, it’s only a few miles away.

Which should only take 45 minutes.

Anyway, it’s April 25 & 26th at the Santa Monica Civic Center.

Look, I’ll even give you a map to make it easy.

It’s from 10 am to 5 pm.

Oh, and did I mention it’s FREE?

Read all about it

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The best building in the right place at this moment
by Katy Purviance on 04/09/08 @ 11:11:57 pm
Categories: Articles | 107 words | 275 views

I just read this article in The Architect’s Journal by Max Thompson called “Pritzker Prize winner Jean Nouvel talks ‘clone’ architecture with the AJ.”

What do you think your legacy will be?
A testimonial of an attitude – an epoch. I am very different from a lot of architects who use always the same typologies, the same materials and techniques. This is not a criticism, but I am the opposite.

When you travel round the world you meet all the clones. All these buildings always the same, they have no roots. I fight against generic designs for specific architecture – that will be my legacy.

Read the whole thing

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They are an affront to the city
by Katy Purviance on 04/09/08 @ 11:06:56 pm
Categories: Articles | 201 words | 438 views

I just read this article in The Star by Christopher Hume called “Impose minimum height on big boxes.”

It is a problem, but one that can be fixed.

We’re talking about the growing suburbanization of the city. In recent years, a whole new layer of suburban-scale development – highway-like roads, malls and subdivisions – has been added to Toronto.

It represents planning at its worse, a failure to take advantage of the urban conditions.

The most egregious example is an ill-conceived proposal to build a big-box outlet on Eastern Ave. at Leslie St. But they are everywhere one turns – the LCBO on Yonge north of Davisville, the Canadian Tire at Lake Shore Blvd. E. and Leslie, the Shoppers Drug Mart at Queen and Parliament and, worst of all, the Shoppers Drug Mart under construction on Danforth east of Broadview.

None of these buildings deserves to exist. They are an affront to the city, painful demonstrations of what can happen once the corporate agenda is disengaged from the community in which it operates.

These large, bland, thoughtless, single-storey structures are conceived by corporate myrmidons who see no farther than the bottom line.

Read the whole thing (You have to; he used the word “myrmidons.")

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Leftover bits of urban fabric are becoming corporate clones
by Katy Purviance on 04/09/08 @ 10:49:00 pm
Categories: Articles | 203 words | 1202 views

I just read this article in the UK’s Financial Times by Edwin Heathcote called “Good design has hidden benefits”

“Post-war architecture is the accountants’ revenge on pre-war businessmen’s dreams,” wrote Dutch architect Rem Koolhaas in his magnificent study of Manhattan Delirious New York 30 years ago.

The image of corporate architecture from Jack Lemmon’s office drudge in Billy Wilder’s The Apartment to Dilbert’s cubicle or David Brent’s Slough office, is one of purgatorial repetition and anonymity.

Cities, from Seattle to Shanghai, are marketing themselves through their skylines. Yet below those exotic shapes things can seem remarkably static.

That the value added through design in commercial architecture is still questioned is astonishing. From museums to opera houses, architecture is entrenched as a unique blend of branding and exuberance, physically embodied confidence, or hope.

Buildings constitute a tiny proportion of a business’s expense, about 15 per cent, compared with 85 per cent on staff. Thus a small increase in the quality and outlay on architecture can exert a disproportionately positive effect on the outlook, and output, of those who work there.

There can be no doubt that the value of this investment in design is being recognised, perhaps more in the UK than elsewhere.

Read the whole thing

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Challenging the dominance of cars
by Katy Purviance on 04/09/08 @ 10:24:55 pm
Categories: Urban Planning, Articles | 233 words | 364 views

I just read this article in The New York Times by Jeff Byles called “Taking Back the Streets.”

“For decades, the Department of Transportation’s job has been to move vehicles as quickly as possible,” said Janette Sadik-Khan, the agency’s commissioner. “We’re taking a look at it a little bit differently now. There is a tremendous hunger for what we can do to make it easier for people to get around, to improve the quality of our streets and plazas, to make it easier for people to linger.”

These street reformers — planners, architects and urban officials from around the globe — are questioning the conventional street-curb-sidewalk motif, challenging the dominance of cars, and devising ways to use street furniture, plants and even radical new vehicles to transform the experience of the street.

While they do not necessarily agree on the particulars, the advocates often share an excitement, a feeling of being present at the creation.

“Let’s go to the next level,” said Ethan Kent, vice president of the Project for Public Spaces, a nonprofit group based in Manhattan, “to create great streets that really draw out the life of the communities they’re meant to serve.”

Here are 10 ideas, some modest and some ambitious, some already in place and others just a gleam in the eye, that the new crop of urban dreamers are proposing.

Read more about the TEN IDEAS.

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Fun things to go do
by Katy Purviance on 04/09/08 @ 09:58:36 pm
Categories: Events | 280 words | 178 views

Dwell brings you Around the Clock, a weekly guide to events in five U.S. cities. Whether you live in SoHo or Santa Monica, South Beach or San Francisco, Around the Clock is your guide to uncommon happenings in the interlocking worlds of design, culture, food, and more. Go to dwell.com/aroundtheclock to see what’s near you—and don’t forget to sign up for our single-city editions, emailed directly to your inbox each week.

Chicago
Wednesday, April 9: Susan Benjamin and Stuart Cohen, authors of Great Houses of Chicago, 1871–1921 give a presentation on the landmark homes designed by David Adler, Howard Van Doren Shaw, Frank Lloyd Wright, and Daniel Burnham. 6:15-7:15 p.m.; The Art Institute of Chicago,111 South Michigan Ave.; (312) 443-3600;

Los Angeles
Friday, April 11: Nicole Cohen’s video installation gives Getty-goers a new take on the museum’s collection of 18th-century French chairs. Today, take a spin through the gallery with the artist herself. 4:30 p.m. and 6 p.m.; The Getty Center, 1200 Getty Center Dr.; (310) 440-7300;

Miami
Sunday, April 13: Catch Promises of Paradise, the Bass Museum’s exhibition of mid-century architecture, design, urban planning, and decorative arts in Miami, before it closes today. The Bass Museum, 2121 Park Ave.; (305) 673-7530;

New York
Friday, April 11: Despite projects ongoing in France, England, Poland, Italy and Austria, architect Philippe Rahm finds time to discuss his new work with New Yorkers. 7 p.m.; The Wollman Auditorium, The Cooper Union Engineering Building, 51 Astor Placep; (212) 849-8400;

San Francisco
Wednesday, April 9: Dwell editor-in-chief Sam Grawe moderates this discussion on the future of sustainable design between Yves Behar, Bob Adams of IDEO, and Dawn Danby of the green consulting firm Autodesk. 6–8:30 p.m.; Timken Lecture Hall, 1111 8th St.; (800) 447-1ART;

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Innovative Green Homes
by Katy Purviance on 04/09/08 @ 11:21:09 am
Categories: Green Design, Articles | 251 words | 3969 views

I just read this article by Brie Cadman on FSBO.com called “Innovative Green Homes.”

In an attempt to create a more sustainable domicile, some homeowners use energy-efficient light bulbs, swap out normal showerheads for low-flow ones, or put on a sweater so they can turn down the thermostat. However, others are taking sustainability - and their homes - to the next level. These innovative designs move the owner off the grid, into the trees, and toward a more environmentally-sound future.

Earth Bag Home
Earthbag Home

Earthship
Earthship

They come in packaged, modular, hybrid, and custom; the above is an example of a modular Earthship. With water catchment from the roof, reuse of greywater, solar panels, and composting toilets, I could definitely tune in with nature, turn off the TV, and drop off the grid.

Project Biodome
Project BioDome

Edward Dilley, creator of Project Biodome, has a vision: pull drinking water from the air, gather heat and electricity from the sun, and live completely supplied for in his geodesic sustainable dome. Somewhere in the mountain near Elko, Nevada, he seems to be doing just that. According to his Web site, you can order a kit and construct one yourself. Might want to look into local building codes first.

Tree House
Tree House

If you aren’t afraid of heights, the 02 Sustainability Tree House could serve as your next home away from home. It is made from small amounts of eco-friendly resources and is hung by cables rather than bolted into trees, as to not disturb your structural helpers

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See how simple it is to design well?
by Katy Purviance on 04/08/08 @ 08:58:04 am
Categories: Green Design, Articles | 435 words | 174 views

I just read this article in the Herald Tribune called “Adapting Roman architecture to Florida’s climate.”

It discusses a house in Celebration, FL called Tradewinds.

Because every wall has windows. Some large. Some as clerestory transoms. Some in a cupola.

You open them up and get a fantastic cross breeze. Even if it’s nasty humid outside.

Mouen shows us how Roman-era domestic architecture can be adapted to 21st-century lifestyles, and how ancient climate-control principles can provide comfort that meets a 21st-century standard.

Mouen’s U-shaped plan is an adaptation of a Roman courtyard villa with living spaces opening off a central courtyard. In this case the central area is occupied by a swimming pool and a spa. It is open at one end to capture the view of the adjacent Lake Susanna, and to funnel the cool breezes blowing off the water into the interior rooms.

To create cross ventilation, which is essential in Florida’s humid climate, each room has large windows on one or more outside walls, and some rooms have clerestory transoms, as well. To give these interior wind currents an assisting nudge, a small hideaway cupola projecting above the roofline will draw air upwards when its windows are opened.

Imagine.

How simple is that?

Sometimes the simplest ideas are the best.

It certainly makes more sense than pumping an enormous AC unit.

Two other ancient techniques for comfort control were also added to the mix. The light colors of the exterior – white stucco walls and a grey metal roof – will help to reduce heat gain. With the high ceilings, the hottest air will rise well above the occupants’ heads. There were some modern climate-control touches, as well – heat gain through the roof was further reduced with modern insulation in the attic. Insulation for the walls and windows with low-e coatings also will help to keep the heat outside.

Did I mention that one wall completely opens up?

From a lifestyle perspective, Mouen said that a central courtyard configuration creates a private outdoor area immediately adjacent to interior living spaces. Add to this a modern modification – a window wall that folds back so that the living spaces are completely open to the outdoors – and you have a Florida homeowner’s version of heaven.

And how about this novel concept instead of the modern alarm clock?

In keeping with Roman custom, the bedrooms are on the east side of the house so that the owners can wake with the sun, Mouen said.

See how simple it is to design well? To design in line with nature’s principles?

Read the whole thing

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Registeration for Dwell on Design LA is now open
by Katy Purviance on 04/07/08 @ 11:07:41 pm
Categories: Events | 194 words | 638 views

Conference June 5-6.
Join the Dwell editorial team for an in-depth, inspirational, and engaging examination of all things modern, including architecture, urban planning, interiors, landscapes and products. We’re bringing together over 50 of the most influential minds in design such as Lorcan O’Herlihy, Michelle Kaufmann, Mark Rios, and Lori Dennis — the people who are moving and shaking the industry. Plus, we’ll let you in on the exhibition on Friday before it opens to the general public.

See more Conference details.

Exhibition June 7-8.
Two full days and 50,000 square feet of ideas including a life-sized neighborhood of pre-fabs completely landscaped and designed by Dwell. Don’t miss it. The afternoon of June 6th is open to Design Professionals and conference pass holders at no extra charge.

See more Exhibition details.

Home Tours.
Take the show on the road and tour some of LA’s most Dwell-like homes. Saturday you’ll be walking through homes on the Westside; Sunday you’ll get an inside view of Downtown urban living.

See more Home Tour details.

After Hours Events.
Have cocktails and mind meld with our presenters, Dwell editors and your design buddies.

See more After Hours details.

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You need to go see the Golden Pavilion
by Katy Purviance on 04/07/08 @ 11:03:12 pm
Categories: Field Trips, Videos | 54 words | 349 views

When you join Architecture Addiction’s Field Trip to Japan, you’ll get to go to Kyoto.

That means you’ll get to see the Golden Pavilion.

(You should start learning Japanese now.)

I want to show you Katharine’s video from her trip a few months ago. Consider it a sneak preview.

Thanks Katharine!

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GSD's Open House, LA style
by Katy Purviance on 04/07/08 @ 10:52:02 pm
Categories: Architects, Events, Applying to Grad School, Grad School | 493 words | 552 views

Harvard’s Graduate School of Design held their Open House last Friday. But what about the admitted students who couldn’t make it to Cambridge?

They thought of that. They had an event for LA-area admitted students tonight.

The shindig was hosted by Harvard alumnus Michael Lehrer of Lehrer Architects.

It wasn’t sure what to expect, but I was pretty sure there would be sandwiches.

(They were pretty good.)

Two other admitted students came – Karolina, originally from Poland, and Jose, from Costa Rica. I brought my boyfriend along so that he could better appreciate the workings of the architect’s mind.

Michael told us about life at Harvard. He is heavily involved in the Alumni Association and returns twice a year. Now that his son is a student there, I’m sure he’ll return more often.

He talked to us about the difference between a job, a career, and a calling. My boyfriend and I had been talking about this on our drive from Culver City to Silver Lake. Since I have discovered my calling, I have been trying to help others discover their callings too. Most people I know hate their jobs.

Michael said, sure you can get any job. It’s something to do. It might even be a good job, but if you’re heart’s not in it, it probably won’t make you very happy.

A career is something you can feel a little more proud about. It requires specialized training. It pays more than a job. It can make you feel pretty good.

But a calling is something you have to do. It can be a blessing or a curse. If you’ve got a calling, but lack the skills – or the opportunities – to truly revel in your calling, you’ll be miserable. But if you can live your calling, that’s sublime.

Michael took us on a tour through his large open office. His office has won awards. When you walk inside, you can see the whole office at a glance. Thanks to all of the clerestory windows, they don’t have to turn on the lights.

And two large glass-panel garage doors open up one end of the building to permit plenty of air.

Outside is a bamboo garden. They have created a meeting room by growing bamboo around a sunken square terrace.

I couldn’t help but think about my job. We don’t have clerestory windows. We don’t have any windows. We can’t open an enormous door to the outside. Instead, we have a poorly designed forced air air conditioner that is always on the Cold setting. It brings the microwaved smells of popcorn from the floor above. And our meeting room is another windowless room, even colder than our office. It certainly does not sport a bamboo perimeter.

Because I wasn’t sure what to expect, or who would be there, I had brought my portfolio along. Michael took a look through it.

“No wonder you got accepted,” he said.

That’s a good feeling.

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Because Neutra would help you
by Katy Purviance on 04/06/08 @ 11:21:55 pm
Categories: Architects, Events | 259 words | 233 views

I received a mailing from the Neutra VDL Research Site.

Dear Friend:

Richard Neutra’s Silver Lake home and a birthplace of LA Modernism is in jeopardy. The Richard and Dion Neutra VDL Studio/Residences needs $30,000 to cover this year’s and next year’s maintenance costs by October 2008 or Cal Poly may be forced to consider undesirable options.

On Saturday, April 26th from 9:00 am to 1:00 am we are hosting a meeting at the Neutra VDL home (2300 Silver Lake Boulevard, LA 90039)> Actress and long-time Neutra homeowner, Kelly Lynch and Dr. Raymond Neutra, Richard’s youngest son, and others will make remarks about the significance of the VDL site and our short- and long-term plans for it. After coffee and pastries, we ask you to explore this remarkable Neutra-designed facility and talk to the docents available to answer any of your questions.

We, the Friends of The Neutra VDL Research Site, along with the Neutra family, invite you to help us save this irreplaceable architectural jewel by making a donation. As Professor Richard Longstreth of George Washington University has said, “this studio/residential complex ranks with those of Fredrick Law Olmstead, HH Richardson, and Frank Lloyd Wright in influence and importance and needs to be preserved for public education and community service.”

Thank you in advance for your interest and we hope to see you at the VDL home on April 26th!

Please call Ms. Martie Blick at (909) 869-4114, or email her at mlblick@csupomona.edu to confirm you will be joining us.

Sincerely yours,

Karen C Hanna, FASLA
Dean
College of Environmental Design

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Biomimicry. Basically the best idea ever
by Katy Purviance on 04/04/08 @ 09:41:57 pm
Categories: Articles | 203 words | 1198 views

Deborah Coburn of Natural Home fame wrote an article called “Mother Knows Best: Home Design Inspired by Nature.”

It’s about biomicry.

Which is one of my favorite subjects!

Biomimicry (from bios, meaning “life,” and mimesis, “to imitate") is a design principle that seeks sustainable solutions to human problems by emulating nature’s time-tested patterns and strategies. Janine Benyus studied the concept in her book, Biomimicry: Innovation Inspired by Nature(William Morrow, 1997). Today, industrial engineers look at mussels that cling to ocean-pounded rocks to learn about water-resistant, nontoxic bonding agents; inventors base designs for fans and pumps on the spiral shape of the nautilus shell and the vortex of a tornado. Even an exterior paint, Lotusan, is designed to simulate the lotus flower’s water-shedding surface.

Biomimicry’s core idea is that nature, imaginative by necessity, has solved many of the problems we grapple with in modern design. Organizing our homes to reflect nature connects us with the wisdom of 3.8 billion years of what works. Biomimicry in interior design borrows not just nature’s look but the solutions embedded in its laws. Follow nature’s wisdom and try these seven design principles to make your home more vibrant and beautiful.

Read the whole thing

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You can come out of hiding now
by Katy Purviance on 04/04/08 @ 09:18:57 pm
Categories: Articles | 298 words | 410 views

I just came across this article by Carol Steinfeld called “Grow With the Flow: Legal Uses of Graywater.”

So now you can come out of hiding. You can stop pretending that you didn’t know.

Preparing graywater requires a few basic steps: draining it from the house to your graywater system via pipes kept separate from toilet drains; filtering out fibers and greases; then disinfecting the water and treating its carbon. You can take care of the last two parts—disinfecting and treating carbon—by setting up a system in which graywater drains under a few inches of soil, gravel and plant roots. The plants and soil will naturally treat the carbon and disinfect the water.

Though kept separate from what’s flushed down the toilet—called “blackwater"—graywater still can contain bacteria and pathogens that could cause illness, although the small amounts present in most graywater are a low risk, according to a University of Massachusetts study. Graywater also contains carbon from oils, soaps and skin. As in all organic compounds, that carbon will decompose, potentially causing odors and clogging the air spaces in the ground. Health officials advise draining graywater under three to 18 inches of soil, where soil bacteria decompose carbon and destroy pathogens—and where plant roots can drink it up.

State regulations for graywater vary widely, so check with your municipality to be sure your system is legal. Some states consider kitchen-sink and dishwasher drainage blackwater because it contains grease, nutrients and food bits.In most states, graywater cannot be used above ground without a special permit. In nearly all states, a graywater permit requires submitting results of a soils test and an approved plan.

Read the whole thing

(Have I mentioned how HAPPY I am now that I’m finally receiving my Natural Home subscription?)

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Shaving the Palm Trees...only in California
by Katy Purviance on 04/04/08 @ 08:35:40 pm
Categories: Articles | 529 words | 4109 views

I just read this article in the LA Times by Ann Japenga called, “More stark than the desert around them – Many midcentury modern enthusiasts are extending the spareness of home interiors into the garden, and wiping out natural habitat in the process.”

One neighbor ripped out the fig and lemon trees planted there 40 years before by the original owner. To the north, modernistas tore out a jungle of honeysuckle vines and asparagus ferns weaving in and out of an old fence.

All around my neighborhood, new owners are hacking off the blond skirts of the Washingtonia filifera palms and amputating tendrils of black dates. In the latest development, they are even shaving the rough bark of the palms, leaving a shiny blood-like surface.

Shaving…the bark? Excuse me?

But it wasn’t supposed to be this way. The giants of modernism wanted their open floor plans and walls of glass to bring the outdoors in. One of the pioneering modernist landscape architects, John Ormsbee Simonds, aimed to work with the “want to be” of the land, just as Alexander Pope – an 18th century English poet who protested an earlier wave of sterile landscaping – urged consultation with “the genius of the place.”

A man who understood the genius of the desert was Albert Frey, one of this region’s most famous of modernist architects. When I moved here – before the rediscovery of modernism – he was a somewhat obscure eccentric who lived in a house on the hill with a boulder in his bedroom He stood on his head daily, and studied the position of the sun for a year before deciding where to put his house.

Let me say that again.

He studied the position of the sun for a year before deciding where to put his house.

When asked his guiding design principle, Frey once answered: “The respect for nature.”

That is the beginning and end of what you need to know, architect or not.

But now new midcentury moderns are extending the spare aesthetic of their interiors into the garden, rather then letting nature work its way in. Vickki Schlappi’s yard has a lawn and two geometric rows of desert plants, topped off with a single skinny shaved palm. “I like clean, straight lines and I just wanted everything to pop,” says Schlappi, a real estate agent. “I feel like I’m trying to set an example on the street.”

Can you maybe stop?

My tree-stripping neighbor, Dan Bunker, has his main residence in the city – San Francisco – and was not aware of all the things that live in and around the palm trees.

“Being in real estate, I see a lot of newly landscaped yards . . . so I just went with what I saw as being fashionable,” he said in an e-mail. “That said . . . I wouldn’t have shaved the palm trees if I’d known they were bird habitats.”

This gives me hope. Maybe we don’t have to wait generations for another shift from minimalism to something more hospitable. Maybe one day soon I’ll look over the fence and see orange orioles again weaving nests in the unruly, unshaven, palm trees.

Read the whole thing

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Traffic has been banished
by Katy Purviance on 04/04/08 @ 08:21:38 pm
Categories: Articles | 611 words | 1192 views

I just read this artilce in the New Statesman by Joanna Moorhead
called, “Reclaiming the streets.”

You probably know about Mexico City.

I mean the pollution.

The traffic.

The nasty nasty smog.

Now imagine the eco-dream…

It’s 9am in the centre of one of the busiest, most traffic-clogged cities in the world, and I am cycling, entirely alone and without a car in sight, along its central, tree-lined, four-lane boulevard. I brake as a roundabout approaches, but a police officer is waiting, whistle between his teeth, to beckon me across: he is holding up a barrage of traffic on the intersecting road, entirely for me.

I sail past, registering as I do the hundreds of vehicles backed up to north and south. Only when I am safely across the roundabout does the policeman give them the go-ahead to inch their way along the overburdened minor avenue, while I continue freely along my generous expanse of empty, exhaust-free highway.

What is this, an ecowarrior’s dream? Well, it could be: but no, it was a recent Sunday morning in Mexico City. I was cycling along the main traffic artery, Avenida Reforma, a road built by the Emperor Maximilian during a spell of French rule in the mid 19th century. Usually, the scene on Reforma is of nose-to-tail cars, most of them clapped-out, pre-1990s models. Vehicles move slowly, exhaust fumes cast a pall over the road, and there is a constant backdrop of noisy horns and aggravated shouts from angry drivers, punctuated from time to time by the sickening crunch of car on car as a roadway altercation goes awry.

On a normal morning, this road is an environmentalist’s worst nightmare. But not so at the end of each week, because, for the past few months, traffic has been banished from Reforma each Sunday between 7am and 2pm. It’s a bold move, and the brainchild of the city’s mayor, Marcelo Ebrard, who has gone green big-time (certainly by Mexican standards). In another headline-making move, the mayor and his closest advisers now cycle to work on the first Monday of every month - no mean feat for Ebrard, a 48-year-old smoker who, by his own admission, doesn’t exercise as much as he might.

Ebrard is talked of as a presidential candidate in 2012, but the Reforma cycling initiative certainly can’t be dismissed as populist. Local people, on the whole, hate it. “It’s all very well for tourists like you, wandering out of your hotels on Reforma and enjoying the rare smell of fresh air and the eerie silence because there’s no traffic,” says Mirella, who lives in Mexico City. “But for a mother like me, based slightly out of town in the suburbs, what it means is I can’t bring my kids in to the city-centre museums on a Sunday the way I used to. The traffic in the smaller roads off Reforma is simply too chocka.”

Mexico City - DF, for Distrito Federal, as the locals call it - has grown quickly. In 1950 it had roughly three million inhabitants; today there are more than 19 million. And, tragically, that mushrooming population has been starry-eyed about the benefits of car use, as demonstrated par excellence by their North American neighbours. The Mexicans might be scathing about the folks who live in the country next door to theirs, but when it came to cars they swallowed the American dream hook, line and sinker. Which is doubly sad given that their city centre is so compact and would - were it not for all those cars making the place dangerous and unpleasant for walking and cycling - be perfect for ambling and pedalling round.

Read the whole thing

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Torontonians were rudely reminded of how powerless they are
by Katy Purviance on 04/04/08 @ 07:35:32 pm
Categories: Articles | 481 words | 598 views

I just read this article in the Star by Christopher Hume about a proposal from SmartCentres to build a huge shopping mall with parking for 1,900 cars.

People are lining up to voice their opposition. Architects, former mayors, local residents, councillors and the mayor himself, David Miller, have denounced the project.

As well they should; it has no place in Toronto. It was ex-mayor David Crombie who pointed out that we didn’t go through the pain and expense of taking down the east end of the Gardiner Expressway just to make room for Wal-Mart and its ilk.

The promoters would tell us that this is not just another suburban mall, that it’s “architectural,” that the parking has been “hidden,” and therefore, that it’s urban.

“Architectural.”

Like, it has columns?

A really big soffet?

What does that mean?

But SmartCentres appealed to the Ontario Municipal Board, which agreed to hear its case. Then the board decided that a second site next door could be added to the ruling. If the one gets approved, so does the other.

The OMB will hear the case in May, which means the two sides are preparing their arguments now. Lawyers are lining up their experts, who will testify on cue.

“Going to the OMB has become an industry for lawyers and planning consultants,” says Toronto’s former chief planner, Paul Bedford. “It’s part of the suburbanization of Toronto. What’s happening on Eastern Ave. is all being done for the benefit of car people, but the city’s about foot people.”

May I recommend a book we read in Urban Theory & Issues,
Street Reclaiming?

Little wonder then that there’s such shock over the contempt for the city shown by the proposal and the OMB’s response to it. After modest gains on the urban file under Premier Dalton McGuinty – City of Toronto Act, the Planning Act – Torontonians were rudely reminded of how powerless they are. In the end, these decisions will be made by that remnant of 19th-century paternalism, the OMB.

But for its fear of action, the province would have abolished the board long ago. In the 21st century, there is no place for a body that’s unelected, unaccountable and unwanted. Everything about it offends; it very existence smacks of frock coats, top hats and public hangings.

Except for lawyers, we all have better things to do with the time, energy and money we devote to battles like this. The city – and the province – would be much better off not having to fight endless rearguard actions such as this.

Some weeks ago Miller wrote a letter to Ontario Municipal Affairs Minister Jim Watson, asking him to declare a provincial interest in the matter. That would allow the province to overrule the board. A spokesperson for Watson will say only that the minister can’t comment because the issue is before the OMB. How limp is that?

Read the whole thing

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In case you wanted more to choose from
by Katy Purviance on 04/03/08 @ 06:26:09 pm
Categories: News, Field Trips | 99 words | 209 views

I’m always looking for better ways of doing things.

One of those things is finding you more Field Trip opportunities.

I think I’ve just hit the mother lode.

This means that – pretty soon – I’ll have many more Field Trips for you to choose from.

With WAY more departure dates.

Sign up for our newsletter. It’s the name-and-address box up in the upper right-hand corner of this page. Signing up absolutely guarantees that you’ll be the first to hear about new Field Trips. AND I personally guarantee that we will NEVER sell, rent, trade, or lease your information.

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Maybe less fly-throughs next time
by Katy Purviance on 04/02/08 @ 09:03:52 pm
Categories: Applying to Grad School, Articles | 260 words | 764 views

This memorandum is either way late or way early, but if you should happen to find yourself putting together a portfolio any time soon, take heed:

In his article “Against Architectural Animation,” Neil Spiller discusses the consequence of using animation in the field of architecture. As a person who has looked through many student portfolios in his time, he becomes worried when a student presents him with digital material, as opposed to drawings. Though Spiller himself is a technology enthusiast, stating the many benefits technology has for architecture, he is worried about the use of animation in architecture. He fears that architects are becoming more concerned with making a good animation, rather than creating good spaces.

Architects in today’s world are limited by how new applications of animation are in architecture. The typical animation software was meant for film and graphics industries, not architecture. In a sense, by using this software, and architect is asking an apple to be an orange. This leads to a tendency for those using the software to play around more with the features of the software, as opposed to the architectural forms they are attempting to represent. These users “push all the buttons at once” to see what happens, and labels it as a final product. Such representations do nothing to give another insight into architectural form. They may be pretty to look at, but they say nothing; they are mindless eye candy, rotting away the mind as sweets do one’s teeth.

Read the whole thing

(And I recommend reading the responses therein as well.)

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Building with Bees
by Katy Purviance on 04/02/08 @ 08:55:16 pm
Categories: Articles | 156 words | 159 views

I just read this article in the New York Times by John Schwartz called, “Where Science and Design Collide, a Few Weird Sights to Behold.”

This is what really caught my eye (I just had to show you):

Scaffolding for bees
Some of the objects have an otherworldly beauty. Tomas Gabzdil Libertiny, who lives in the Netherlands, studied bees and developed a scaffolding he could use to enlist them in the manufacture of objects. His beeswax vase, a golden wonder that droops slightly on a pedestal near the entrance to the exhibition, exemplifies what he calls “slow prototyping.” Like the “slow food” movement, he sees his vase as showing the way to a kind of thing that demands attention and respect, in part because it is not just knocked out by a machine — it embodies, he said, “the sort of thrill in the heart that you get when you see an object that has magic.”

Read the whole thing

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Can you give 1%?
by Katy Purviance on 04/02/08 @ 08:46:18 pm
Categories: Architects, Articles | 922 words | 290 views

I just read this article by John King in the San Francisco Chronicle called “Architect John Peterson building goodwill.”

Public Architecture has five employees. The spacious loft it shares with four other businesses is upstairs from a fetish-gear boutique.

But if the firm’s size and location are humble, its ideas are big - and one of them is beginning to transform the architectural profession.

“There’s a great desire among architects to do work that’s socially relevant,” says John Peterson. “We’re talking about improving public life for everybody.”

Peterson is founder of Public Architecture, a 5-year-old nonprofit in San Francisco best known for its Scraphouse - an inhabitable structure that stood for four days in 2005 across from City Hall and included walls made of computer keyboards and old telephone books. But the firm’s larger impact involves a different sort of vision: to turn the concept of pro bono work into an industry norm.

Begun in 2005, the program dubbed the 1% Solution aims at getting architectural firms to contribute 1 percent of their billable hours annually to socially responsible initiatives. In other words, making it standard practice to allocate time and staff to do the right thing.

Yes, architects have embraced worthy causes in the past. But 1% Solution’s blueprint for ongoing commitment is more in line with the legal industry, where the American Bar Association for decades has emphasized the importance of pro bono efforts.

The results so far are heartening. As of January, 290 firms in 35 states have pledged to take part. And Public Architecture isn’t just trying to guilt-trip its peers. The firm also has assembled a database of nonprofit organizations with specific needs that a design firm can address, whether it’s a full building renovation or focused interior design.

“The brilliant component of this was the linkage - a systematic network to match experience with need,” says R.K. Stewart. An associate principal in the San Francisco office of Perkins + Will, Stewart last year was president of the American Institute of Architects. The AIA recently awarded Public Architecture a $115,000 grant to expand its 1 percent effort.

“We started fishing around for organizations that do things like this (in architecture) and couldn’t find any,” Peterson recalls. “I have sporadic sleep habits, and one time when I was up in the middle of the night I thought, ‘This is worth taking on.’ “

If methodical pro bono work does become part of the architectural persona - along with hip eyeglasses and a tendency toward words like “porosity” - then Peterson is an unlikely instigator.

Peterson, 44, arrived here in 1991 with his “better half,” landscape architect Carol Souza: “She was ready to get out of Cambridge (Massachusetts), I said sure, and we drove west looking for a place to light.” They arrived in the Bay Area, liked it and found a way to stay.

Peterson set up Peterson Architects, specializing in private homes. But when he designed a project across from the Glen Park BART station with housing, a library, supermarket and sleek contemporary design, neighbors balked at the modern look. The project ended up in another office that rolled out the more traditional building that opened last year.

Instead of making Peterson bitter, the fuss lit a spark.

“I found it engaging … it broadened our thinking about who our ‘client’ was,” Peterson recalls. “I was exposed to my own limitations at how I present my architectural ideas, but we also started thinking about all these people we never meet.”

So Peterson’s staff looked for ways to connect with everyday people and found a cause close at hand. Their office is on a stretch of Folsom Street that offers six lanes of asphalt but precious little in the way of amenities for neighborhood workers and residents. The firm whipped up conceptual schemes to replace some of the blacktop with landscaped oases; the idea was a hit, and the first small plaza should be constructed this fall outside the BrainWash Cafe/Laundromat.

There’s also talk with several municipalities about building shelters for day laborers who line streets looking for work. As for the Scraphouse, a wry critique of the culture of disposability, it lives on in a documentary film.

“John’s incredibly optimistic,” says David Meckel, director of research and planning at California College of the Arts and a member of Public Architecture’s board of directors. “He doesn’t focus on why something won’t work. It’s about incrementally trying out ideas and seeing if they have resonance.”

With 1% Solution, Public Architecture definitely struck a chord. The converts aren’t just studios with a progressive bent. Local participants include Field Paoli, a 70-member firm, and there’s financial support from such national players as Hammell Green and Abrahamson, which has 515 employees in six offices.

It helps that Peterson and his staff emphasize pragmatics; for instance, the marketing campaign stresses that pro bono projects “can become portfolio pieces that help firms gain entry to new design markets.”

“We don’t want to be an organization that appeals only to the true believers,” Peterson explains. “We need to make the case to nonprofits that good design thinking can advance their cause, and to architects that creative, aggressive pro bono work can be healthy for their business.”

Speaking of business, Peterson’s turning more of his attention these days back to the firm that bears his name. Doing good goes only so far.

“There was a point when I was putting too much time into Public Architecture, and it almost ruined us,” Peterson says. “Our accountant made that clear.”

Read more about Public Architecture’s One Percent

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The National Association of Home Builders wants in
by Katy Purviance on 04/02/08 @ 08:34:47 pm
Categories: Articles | 426 words | 1602 views

As an intern at a LEED consulting company, I know that the process of bringing all the players (the architect, the owner, the mechanical engineer, the landscape architect, the plumbing engineer, the general contractor…) up to speed on their role in the certification process, not to mention the verification of systems, can be pretty expensive.

Especially if you’re not building a 300-room hotel with a bar and a restaurant – but rather, just a single family home.

LEED for Homes is still in beta. But there’s already (another) system for racking up green points.

The National Association of Home Builders, which represents more than 230,000 U.S. housebuilding companies, announced its new program, calling it “voluntary, market-driven, flexible and affordable” and stressed that the certification paperwork would cost less than $500 per home.

That’s a good deal. But they still have much work to do if they want to compete with LEED.

First of all, it is not yet a national standard, since NAHB has yet to complete the requirements of the American National Standards Institute (ANSI). Second, the third-party verifiers have yet to be certified by the NAHB Research Center. So it will likely be the summer of 2008 before all the pieces are in place.

And there’s plenty of other competing accountability systems as well.

As many of you may know, nothing is very centrally directed in the U.S. For example, beyond the three national programs mentioned, there are more than 60 local green home rating systems, some of them very well established, such as the City of Austin, Texas, and the EarthCraft Home rating system in Georgia (and three other southeastern states). There is also an Environments for Living standard supported by General Electric, one of the largest seller of Energy Star home appliances, and a Health House standard from the respected American Lung Association.

The author of the article, Jerry Yudelson, predicts:

The U.S. Green Building Council’s announced goal is one million new certified green homes by the end of 2010. With the deep home building slump in the U.S., this would require nearly two-thirds of all new single-family homes built from 2008 through 2010 to be green certified. While this is unlikely to happen, my own prediction is that green homes will storm the market in the next three years and are likely to command a 20 percent market share by 2010.

If I were a seller of energy-efficient and resource-conserving products technologies and building systems, I would start investigating the U.S. green home market as a dynamic sales growth opportunity.

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Insane asylums are hot hot hot right now
by Katy Purviance on 04/02/08 @ 08:11:09 pm
Categories: Articles | 242 words | 531 views

I just read this article in Reuters called “U.S. construction activity indicator sinks-AIA.”

NEW YORK, March 19 (Reuters) - The deteriorating housing market and sluggish economy slammed U.S. commercial construction in February, according to an architect trade group’s leading indicator of nonresidential building activity released on Wednesday.

The American Institute of Architects’ Architecture Billings Index tumbled to 41.8 for the month, its lowest level since October 2001, and down from 50.7 in January, the second consecutive monthly decline.

Any score below 50 shows a decrease in billings, a measure of time and effort spent on a project.

“This is a clear indication that there could be tougher times ahead for design firms and a noticeable slowdown in commercial construction projects coming online in the foreseeable future,” said AIA Chief Economist Kermit Baker in a statement.

The ABI reflects a nine-months-to-a-year lag time between architecture billings and construction spending, making it a leading indicator of construction activity.

Regionally, the weakest reading was in the Midwest, where the index stood at 42.6, while demand was strongest in the Northeast, with a reading of 51.5.

Nonresidential building has held up relatively well over the past two years, even as the U.S. housing market has slumped.

So what’s an architect to do?

“The one bright spot,” Baker said, “continues to be the institution sector with continued positive conditions for construction projects such as schools, hospitals and government buildings.”

The ABI rating for the institutional sector was 54.9.

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Pre Fab is Fab
by Katy Purviance on 04/02/08 @ 08:05:13 pm
Categories: Articles, Pre Fab | 102 words | 339 views

I just read about LivingHomes’ Pre Fab multiple unit housing in Architectural Record.

LivingHome pre fab

LivingHomes’s sustainability requirements call for water efficiency and the use of recycled and VOC-free materials and finishes. Moreover, the higher density of multifamily development—particularly in those urban infill situations—is inherently green. The townhouses’ unique construction platform also achieves the dual benefits of minimizing labor cost and environmental impact: bathrooms and kitchen modules hook into a modular utility core, as do light-gauge-steel-frame panels that comprise the other rooms. These panels integrate the building envelope, structure, mechanicals, and interior finishes into a single component.

LivingHome pre fab

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Stuff you can go do this week
by Katy Purviance on 04/02/08 @ 06:51:49 pm
Categories: Events | 130 words | 204 views

New York
Thursday, April 3: The Pratt Institute presents a day-long symposium on the history and future of prefab architecture, with lectures by MoMA’s chief architecture and design curator Barry Bergdoll and other experts in the field. 8 a.m.-7 p.m.; Higgins Hall, 60 St. James Pl., Brooklyn; (908) 781-6420

Chicago
Thursday, April 3: Architectural historian Thomas Hines gives a talk titled The Other Hollywood, in which he discusses the modernist homes designed by Richard Neutra and Lloyd Wright (Frank’s son) for film stars. 6-7 p.m.; The Art Institute of Chicago,111 South Michigan Ave.; (312) 443-3600

Los Angeles
Sunday, April 6: Talk about a dynamic duo: Architect Frank Gehry and Leon Botstein, music director of the American Symphony Orchestra, share the stage at tonight’s discussion. 2 p.m. Hammer Museum, 10899 Wilshire Blvd.; (310) 443-7000

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I'm so proud
by Katy Purviance on 04/01/08 @ 04:22:33 pm
Categories: News, Videos | 620 words | 521 views

Here’s the latest from my penultimate alma mater!

Architecture Students Win National Sustainability Video Competition

March 28, 2008

MOSCOW, Idaho – A video by the University of Idaho chapter of the American Institute of Architecture Students has won the National Architecture 2030 Reverberate Video competition. The video seeks to spread the word about global warming.

The group submitted two versions of “A Brighter Future” – one with and one without sound – and took home a $4,000 prize for the silent production.

The impetus for the video came in late December at a National AIAS Forum attended by several University of Idaho AIAS students. Edward Mazria, senior principal at Mazria Inc., an architecture and planning firm in Santa Fe, N.M., presented at the forum and challenged the students to address sustainable practices in architecture.

Mazria also is the creator of the 2030° Challenge for global architecture and the building community, which calls for all newly constructed buildings to be carbon neutral by 2030, meaning that no fossil fuel is used to operate the facility.

Nick Hubof, a senior in architecture and president of the Idaho chapter of AIAS, said the event was inspiring. “We came back from Forum motivated to create awareness about global warming and what individuals can do to address the problem,” he said.

Shortly after returning to campus for the spring semester, northern Idaho received a large amount of snow, and an idea was born.

“In architecture, we respond to the environment and use material that is locally available,” said Hubof. “We decided to make a structure that reflected where we live.”

The 60-second video shows students building an igloo on the University of Idaho campus. They worked together to create a compact, level surface, and fashioned snow blocks using recycle bins and buckets.

“This structure is conceptually compelling as a perfect example of passive design,” said Jake Dunn, a senior in architecture from Mountain Home and the video project leader. “It uses local materials (snow), is formally responsive to climate, has a low embodied energy, and leaves an ephemeral impact on its environment.”

The video showcases different light sources, including glow sticks and fire. “The main focus of the video was to emphasize not using coal as an energy source through designing passive architecture,” said Dunn.

“While coal is a readily available resource, the amount of damage it does to the environment diminishes other sustainable actions,” said Hubof. “The video shows that what you do locally can have a global effect.”

The video also documented the event of a community coming together for a common good. “We really hoped to communicate through the video that it takes the right design attitude to mitigate the problem of global warming,” Dunn said. “As architecture students, it’s not about making tons of igloos; we just wanted to show that it’s possible to achieve beautiful design while being carbon neutral.”

The video is featured on the American Institute of Architecture Students Web site at www.aias.org, and also is available at www.youtube.com/watch?v=TWJ-bYu5mT8.

The video project team includes: Jacob Dunn; Nick Hubof; Tim Hedrick, a senior in architecture from Boise; Luke Ivers, a sophomore in engineering from Potlatch; Jarod Hall, a graduate student in architecture from Vernal, Utah; Sean Nelson, a graduate student in architecture from Bountiful, Utah; Brett Gulash, graduate architecture student from Las Vegas, Nev.; Randy Teal, assistant professor of architecture; and Frank Jacobus, assistant professor of architecture.

The University of Idaho’s College of Art and Architecture trains it students to be leaders in sustainable practices, both personally and professionally. For more information, visit www.caa.uidaho.edu, e-mail caa@uidaho.edu or call (208) 885-4409.

(I miss you, University of Idaho)

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It's good to get out
by Katy Purviance on 04/01/08 @ 04:17:09 pm
Categories: News, Articles | 196 words | 893 views

I’m a big fan of The Solar Living Institute. I just read about one of their former interns who is now taking her skills to those who need it most.

Since September of 2007, Jenny has been working with Border Green Energy Team (BGET), whose mission is to install renewable energy technology in rural villages and refuge camps along the Thailand/Myanmar border. In an area ridden with strife, Jenny and the BGET team have been working to bring appropriate technology solutions for health care, education, and food in the community.

With local agricultural needs taking a priority, Jenny and the BGET team installed solar water pumping, gravity-fed drip irrigation, and composting systems that are appropriate for the needs of the refugee camps in the area. Jenny also coordinated the installation of a 720 watt solar system that is now providing power to a village medical clinic for the use of lights, microscopes, computers, and a vaccine refrigerator. The team has nearly completed the installation of a 3.5 kilowatt microhydro system that will provide power to the elementary school, dormitory, and in the future will expand out to individual houses within the village.

Learn how you can help too.

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The Big Solar Energy Conference
by Katy Purviance on 04/01/08 @ 04:12:48 pm
Categories: Events | 204 words | 1133 views

SOLAR 2008, produced by the American Solar Energy Society, is the premier technical conference for solar energy and energy efficiency professionals in the U.S. Taking place this May 3-8th in San Diego and in its 37th year, this industry-leading conference series offers you the emerging trends, technological breakthroughs, industry insight, and connections you need to stay ahead.

With the energy industry changing at an unprecedented pace, this conference helps you understand the changes and uncover the opportunities. It examines the most timely topics of the day, and introduces you to the industry leaders, innovators, and exhibitors who are shaping the industry.

Who should attend:

* Researchers and scientists
* Dealers and installers
* Architects and green builders
* Academics
* Policy-makers and utility representatives
* Investors, entrepreneurs, and analysts
* Industry professionals, career-changers, and students
* Homeowners

The Solar Living Institute is proud to be part of this cutting-edge event, and will be offering the following workshops at the conference:

* Investing in Renewable Energy
* Commercial & Industrial PV
* PV Field Verification & Testing
* Fire Resistant Building & Landscaping
* Biodiesel: Your Homemade Fuel
* Making Solar Affordable: Rebates & Incentives
* Energy Efficiency & Conservation
* Green Remodeling Basics

To register for these classes or for the conference, visit the American Solar Energy Society website.

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Algorithmic Architecture
by Katy Purviance on 04/01/08 @ 04:08:25 pm
Categories: Videos | 19 words | 848 views

I found this video for you by Daniel Davis about algorithmic architecture.

Read more about this.

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"Increasingly demanding and ambitious work"
by Katy Purviance on 04/01/08 @ 03:53:26 pm
Categories: News, Architects | 389 words | 487 views

Jean Nouvel has won the 2008 Pritzker Architecture Prize.

So I give you:

Top Eight Reasons Why I Like Jean Novel:

#1. He’s ambitious. Like me.

“I take this prize as a strong incentive to continue increasingly demanding and ambitious work,” he said.

#2. He like to experiment. Like me.

Thomas J. Pritzker, chairman of the Hyatt Foundation, noted that the jury’s citation acknowledged the “persistence, imagination, exuberance and above all the insatiable urge for creative experimentation” of Nouvel’s work.

#3. He’s adventurous. Like me.

“For me, every building is an adventure,” Nouvel said. “Every project is an adventure. I research every project. I talk to a lot of people. Every building has a relationship to the climate, to the wind, to the colors of the buildings around it. I arrive at a concept with all the parameters in place. When I have all of these constraints, I begin. Without constraints, architecture does not exist. You are a sculptor.”

#4. He fights against architectural monotony. Like me.

“When you go around the world, you see all the same buildings, and you feel like you’re in the same place,” he said. “I fight all the time for the specificity of architecture. I fight against global architecture.”

#5. He’s not a fan of signature styles. Like me.

While some architects aim for a standout, Nouvel said the designs of his buildings are inseparable from their settings.

“I feel like every site has a right to have an architectural aesthetic,” he said. “Architects today try to create a little world, a petit monde, a micro monde. It’s important to try to create a building in its context.”

#6 He has an insatiable curiosity. Like me.

“He has a tremendous intellectual curiosity,” Jimenez said. “Each work is quite different than the other because of this fascination.

#7. He cares about context. Like me.

“It’s not like he’s bringing a particular brand and deposits that brand wherever he’s working. He’s more insightful and piercing. Nouvel looks at context, not in a literal way, but as an opportunity for new ideas and new connections.”

#8. He pushes the envelope. Like me.

Nouvel “has pushed architecture’s discourse and praxis to new limits. His inquisitive and agile mind propels him to take risks in each of his projects, which, regardless of varying degrees of success, have greatly expanded the vocabulary of contemporary architecture.”

Source of quotes

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It's "very 2003 or 2004," but people are buying them
by Katy Purviance on 04/01/08 @ 02:33:52 pm
Categories: Architects, Green Design, Articles | 613 words | 184 views

I just read this article in Architectural Record by David Sokol called “The Sagaponac Effect: Modernist Subdivisions Multiply.”

I’ve long had this hunch (that I have discovered to be true), that it doesn’t always matter what the housing market is doing. Some people are just fine, buying-a-new-house-wise.

David Sokol tells us this is true, in niche markets.

America’s small number of Modernist subdivisions will endure the popping of the housing bubble. “After all, this is an audience that likely has a good credit history and no financing problems. They’re not going to be stretching themselves to buy this home.”

The phrase “Modernist subdivision” makes me a little breathless. I grew up in a soulless mind-number car-dependent subdivided hell just north of Los Angeles called Santa Clarita Valley (My little sisters even use its area code derogatorily, as in, “She’s so 661.")

But a Modernist subdivision. Well…now…how does that work?

Nilay Oza, a project architect for the well-known Houses at Sagaponac, in the Hamptons on Long Island, has found that real estate developers want to emulate this Modernist enclave. “I advise people about economies of scale, and finding constants between different designs,” he says of phone calls he’s fielded from throughout the U.S.

Although only seven of the 32 planned Houses at Sagaponac are finished, developers are citing that and other precedents, including the New Urbanist community Aqua, in Miami, Florida, Prospect New Town, in Colorado, and the Case Study Houses of 1945–1966 for their own similar projects. Even in regions not normally associated with a Modernist residential tradition developers are creating subdivisions that offer smorgasbords of contemporary architecture. American Institute of Architects chief economist Kermit Baker, Hon. AIA, calls the schemes “very 2003 or 2004, in that they express this sky’s-the-limit mentality that as opposed to today’s realities.” Yet he and developers believe that this extremely small niche could better withstand the housing downturn than more traditional single-family product.

Dallas is home to two such clusters. Matt Holley, CEO of the company Skymodern, which is developing a Modernist subdivision just south of the Trinity River called Kessler Woods, says that when, in 2002, he began purchasing the parcels that comprise the project’s 18 acres, his research showed that “mid-century houses were on the market for the shortest period, and they were selling at the highest price points.” Further galvanized by the notable architectural works of the Dallas Arts District, and by national trends such as the popularity of Dwell magazine, “I bet it was time to do something edgy,” he recalls.

Edgy. Edgy’s good. Sometimes. But, tell me, is it greeeen?

One of the major characteristics that differentiates the new crop of Modernist subdivisions from predecessors such as Houses at Sagaponac is their adherence to green principles. Kessler Woods residences feature minimal west-facing glazing, foam insulation, and low-emissivity window glass; more recently, Holley says he has incorporated native drought-tolerant landscaping, rainwater capture features, and worked with community officials to revive a trolley line that stops on the edge of the subdivision. Urban Reserve’s streets are narrower so there is less storm runoff, and all houses are required to achieve at least basic LEED certification.

Okay, but can people get mortgages for them?

From a financing point of view, Fontenot is confident that success begets success. “Appraisers need similar properties to figure home values, and some lenders aren’t comfortable with Modernism,” he explains, “so when Urban Reserve gets to 50 percent done, the comps build on themselves and that provides comfort for the next person coming in.” And Holley has faith in consumer preference: “People are willing to spend money for something that’s distinctive and special.”

Read the whole thing

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Newsflash: "Dubai would like to be taken seriously."
by Katy Purviance on 04/01/08 @ 01:25:12 pm
Categories: Architects, Articles | 364 words | 266 views

Dubai’s adolescent period of putting up the biggest, tallest, and blingiest buildings is finally maturing into the tastefully avant-garde with a little help from our friends, The World’s Most Popular Architects.

(That might make a good name for a firm. Or for a Saturday morning cartoon that only we addicts watch.)

Jean Nouvel is designing an opera house for Dubai and a branch of the Louvre next door in Abu Dhabi; the Oslo firm Snohetta has designed a “gateway”; Zaha Hadid is building a skyscraper and a massive office complex, (she’s doing the opera house in Abu Dhabi); in January Norman Foster revealed plans to build an eco-city for half a million people in the Persian Gulf, and, last week, designs for the Abu Dhabi World Trade centre; and, busiest of all, there’s Rem Koolhaas, with office complexes galore and a his new Waterfront City, unveiled this month.

This list of stellar architects marks a shift, according to the director of planning for Dubai, Rashad Bukash. “We want to change what people think of us. Dubai would like to be taken seriously.”

The place has had some bad press lately. It wasn’t just that the city resembled a tart’s boudoir. It wasn’t just the logic, or lack of it, of building a megalopolis where daily temperatures of 50C (122F) require air-con on a Herculean scale and the largest per-capita carbon footprint in the world. Last year there were also reports of poor working conditions in Dubai’s labour camps, home to the hundreds of thousands of workers, largely from South Asia, who build these icons. Chief among the critics was the left-wing architect Mike Davis whose book Evil Paradises: Dreamworlds of Neoliberalism, called Dubai “a nightmare of the past: Speer meets Disney on the shores of Araby”.

At least the United Arab Emirates has signed the Kyoto treaty. I guess so have we…we just haven’t, you know, made it official by ratifying it.

It’s only been a few years since the UAE has signed on. Since then, Dubai has developed CO2 recovery technology, solar power, water recycling and desalination plants, while new codes mean “all new skyscrapers will be green”.

Read the whole thing

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places where you could probably learn more about designing and building in just a few days than I did after a year of grad school

Know of some others I can add here? Let me know. Have you already visited some of these places...or planning on it? Let me know and I will feature your story and your photos here!

I am starting a new kind of architecture school. Unlike most architecture schools, you wouldn't have to submit GRE scores or good grades or letters of recommendation. You wouldn't have to put the rest of your life on hold for 3 to 5 years. You wouldn't have to accrue tens of thousands of dollars in debt. At my architecture school, anyone could come for a few weeks and learn how to build a house with their own two hands. My teachers would take skills and concepts from some of these other workshops I've listed above... except classes would be held year-round to make it easy to fit into your schedule. I would have a number of different campuses around the country that would teach building designs appropriate to the local climate. And I need your help. Can you donate land for a campus? Can you dotate books for a library? Can you teach a workshop? Can you provide start-up capital? Let me know.

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How to Build Your Own Tiki Bar and How to Build Your Own Tiki Hut
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