The other day I told you about how Dwell and the AIA have joined forces with the How Green Are You? competition.
I’ve been keeping an eye on the submissions as they’re posted.
While I LOVE that most of these submissions are real projects that physically exist in time and space, I feel drawn towards this computer rendering:

I love its purity of construction. And I love that if you got a running start (AND had some kind of hang glider device strapped to your body) this building could probably help you achieve your secret flying fantasies. How can you say no to that?
See it. Taste it. Feel it. I mean, read more about it.
Stuck for a project idea?
I’ve just developed the answer. An online Project Idea Generator.
Check it out. It’s in Beta.
You click on “Generate My Project,” and an idea magically appears.
The Project Idea Generator tells you:
* who the client is
* what kind of building they want
* what specific elements they want
* your guiding principle in the design
* what materials to use, and
* the site location
Imagine a cross between the Choose Your Own Adventure Books and Mad Libs.
(I hope you had both as a kid.)
PS. Beware. I’m working out a few grammatical kinks.
I just read this article by Karen Breslau in Newsweek called “The Insurance Climate Change: Coastal Homeowners In The East Are Losing Their Policies Or Watching Premiums Skyrocket. Carriers Say That Global Warming Is To Blame.”
During the nine years she’s lived in her historic sea captain’s house on Cape Cod, Mass., Paula Aschettino never filed a claim against her homeowner’s insurance policy. But last year she received a letter from her insurer, Hingham Mutual Group, canceling coverage on her nine-room, $600,000 oceanfront home, which has withstood its share of hurricanes since 1840. She and her husband, Michael, scrambled to find other insurance but were repeatedly denied. “They just said we are in a high-risk area,” she says. A spokesman for Hingham, which canceled 9,000 Cape Cod policies, says that the company’s own coverage–known as “reinsurance"–had doubled in the past year, making it necessary to withdraw from the coastal market.
I just read this article by Jonathan Karp in the Wall Street Journal called “Suburbs a Mile Too Far for Some: Demographic Changes, High Gasoline Prices May Hasten Demand for Urban Living.”
It expoles my chief complaint with suburbia: one is forced to drive everywhere. One is forced to assume the high price of car ownership. One is forced daily to give up hours of one’s life so that one may sit in traffic will all the other poor saps who have likewise been forced to assume the high price of car ownership.
It’s dumb! It’s a dumb way to waste your time and your money! Move close to where you live, or work closer to home! Do the math!
Anyway, here’s the article.
Abandoning grueling freeway commutes and the ennui of San Fernando Valley suburbs, Mike Boseman recently found residential refuge in this Southern California city. His apartment building straddles a light-rail line, which the 25-year-old insurance broker rides to and from work in Los Angeles.
Richard Wells is more than a generation older but was similarly attracted to the Pasadena apartment building. The British-born scientist retains what he calls a European preference for public transportation despite his nearly 30 years in California. Plus, he said, the building’s location means, “I can walk to a hundred restaurants, the Pasadena symphony and movie theaters.”
Messrs. Boseman and Wells embody trends that are dovetailing to potentially reshape a half-century-long pattern of how and where Americans live: The driveable suburb – that bedrock of post-World War II society – is for many a mile too far.
In recent years, a generation of young people, called the millennials, born between the late 1970s and mid-1990s, has combined with baby boomers to rekindle demand for urban living. Today, the subprime-mortgage crisis and $4-a-gallon gasoline are delivering further gut punches by blighting remote subdivisions nationwide and rendering long commutes untenable for middle-class Americans.
Just as low interest rates and aggressive mortgage financing accelerated expansion of the suburban fringe to the point of oversupply, “the spike in gasoline prices, layered with demographic changes, may accelerate the trend toward closer-in living,” said Arthur C. Nelson, director of Virginia Tech’s Metropolitan Institute in Alexandria, Va. “All these things are piling up, and there are fundamental changes occurring in demand for housing in most parts of the country.”
Christopher Leinberger, a visiting fellow at the Brookings Institution and a developer of walkable areas that combine housing and commercial space, describes the structural shift as the “beginning of the end of sprawl.”
Recipe for Reurbanization
Todd Zimmerman, a housing consultant and an early advocate of pedestrian-friendly community planning known as New Urbanism, said demographic and cultural factors explain a big part of the trend. Baby boomers and millennials are the country’s two biggest generations, with some 82 million and 78 million people born during their respective eras. Both flocks are leaving their nests and finding that higher-density urban housing fits their lifestyles.
“Millennials and baby boomers are in perfect sync. They are at a stage where they both want the same thing,” said Mr. Zimmerman, a co-managing director at Zimmerman/Volk Associates Inc. in Clinton, N.J. He said the populations of Americans in their 20s and in their 50s are rising and will add eight million potential housing consumers by the time their numbers peak in 2015. “You’ve got a recipe for reurbanization on a dramatic scale,” he said.
While baby boomers may be looking to downsize their homes and simplify their lives in urban condominiums, millennials often look to cities as a way of rebelling against the suburban cul-de-sac culture that pervaded their youth, Mr. Zimmerman said. That is no different than past generations of twentysomethings, but the numbers of millennials are larger.
Even families who sought the suburbs or were priced out of cities now have an economic imperative to find their way back closer to town. Transportation is the second-biggest household expense, after housing, and suburban families face a relatively greater gas burden. At the same time, distant suburbs, or exurbs, where housing growth was predicated on cheap gas, have experienced the biggest declines in home values in the past year, according to a May report by CEOs for Cities, a nonprofit group of public- and private-sector officials that seeks to promote urban areas. “The gas-price spike popped the housing bubble,” said Joe Cortright, the report’s author.
The demand for housing near urban centers isn’t going to snuff out suburbs overnight. Several satellite towns around cities continue to lure jobs and are reinventing themselves with their own city centers. About half of the walkable urban areas that Brookings’s Mr. Leinberger identified in a recent survey are located in suburbs, though generally close to major cities.
A Challenge for Cities
While high gas prices are a boon to New Urbanism and other “smart-growth” planning concepts, in practice such mixed-use projects often are harder to execute – from acquiring local approval to securing Wall Street financing – than the traditional suburban tract-housing model. The challenges for cities are considerable, from investing in public-transportation systems to creating incentives for developers to accommodate the new urban housing demand.
Cities such as Denver, Charlotte, N.C., and Portland, Ore., are making investments in public transportation and spurring the construction of symbols of the new housing era: multifamily residential and retail complexes at or next to transit stations. Reconnecting America, a nonprofit group committed to transit-oriented development, estimates that the number of households near transit stations will soar to 15 million by 2030, from six million now.
Even in the auto mecca of Southern California, attitudes are changing, and transit-oriented development is gaining traction along subway, light-rail and commuter-train lines serving Los Angeles. In Pasadena, an apartment and retail complex built around the Del Mar light-rail station is doing brisk business. Some 95% of the 347 units are rented, the highest occupancy rate since the building opened two years ago, said Dave Brackett, executive vice president of Archstone, which owns the building.
Fuel-Efficient Fun
Mr. Boseman, the insurance salesman, found his way to Archstone Del Mar Station from Encino, to the west in the San Fernando Valley. The 75-minute commute from Encino to downtown Los Angeles tried his patience and lightened his wallet. “I’d go through a tank of gas every four days,” he said.
After a year, he and his girlfriend decided to move to downtown Los Angeles. They rented a renovated loft, and dumped one of their two cars to avoid the expense and parking hassle. But the area wasn’t lively enough at night, so they looked along public-transportation lines for their next apartment.
Pasadena, home to the Rose Bowl, is a leafy city with stately houses and a thriving shopping area in a reinvigorated old downtown. Archstone Del Mar Station is near the commercial center, and a 26-minute ride on one of Los Angeles’s metro lines. With a train change, Mr. Boseman is at work within 35 minutes from his doorstep. He also takes the light rail into Los Angeles on weekends for entertainment events. With his car use limited to Saturday and Sunday at most, he said, “I’m filling it up once a month.”
Mr. Wells, too, got rid of one of his cars after moving into Archstone Del Mar Station 10 months ago, and “my aim is never to use the car I kept,” he said. The 71-year-old scientist reckons he has saved 500 gallons. Last week, he moved out of the apartment building – but not far. For the same rationale, he bought a condo at the next light-rail station along the metro line.
In Los Angeles’s central Koreatown neighborhood, developer Urban Partners LLC last year opened a 449-unit apartment building with 36,000 square feet of retail space atop a subway station. Twenty percent of the units are rented at below-market rates in an effort to provide affordable housing without an “hour or two commute,” said Dan Rosenfeld, an Urban Partners principal.
With more than 30 U.S. cities that have or are developing commuter-rail systems, demand for mixed-used, mixed-income projects is bound to increase, said Mr. Rosenfeld. But even with an emphasis on public transport and walkable urban neighborhoods, one staple of American culture is so entrenched that it is bound to take years to reverse.
“We never reduce the amount of parking at our developments. People still want their cars,” he said. “Nothing would make us happier than to reduce the expensive underground parking.”
Los Angeles
Sunday, June 29: The AIA takes you through some of Venice’s best modern buildings: 23 Breeze house by R&
Architects, the Canal House by EM Architects, Cube by M, the Linnie House by Michele Saee Studio, and the 543 House by Callas Shortridge Architects. 6:30 p.m.-8:30p.m.; Meeting point disclosed with ticket purchase; (213) 639-0777.
Miami
Saturday, June 28: MOCA closes Pivot Points II, an exhibition of works by Matthew Barney, Mariko Mori, Raymond Pettibon, and others linked by the heady theme of “self-mythologization.” 6 p.m.; Museum of Contemporary Art, North Miami, NE 125th St.; (305) 893-6211.
New York
Thursday, June 26: The Whitney Museum’s retrospective of Buckminster Fuller, the mastermind behind the geodesic dome, rolls into town today. Through September 21. Whitney Museum of American Art, 945 Madison Ave.; (212) 570-3600.
San Francisco
Tuesday, July 1: Victory Gardens grown in American homes during World War II accounted for 40 percent of the country’s food supply. Today, Slow Food Nation and Victory Gardens 2008+ begin planting an edible garden in the San Francisco Civic Center, which will remain through September. The goal of the project? To educate residents about the benefits of local agriculture. (Check the website to get involved.) Through September 21. City Hall, 1 Dr. Carlton B. Goodlett Pl.
You know how chocolate is good, and peanut butter is good, and then when you put them together, it’s REALLY good?
So this is like that. Except instead of chocolate and peanut butter, it’s Dwell magazine and the AIA.
They’ve joined forces. They have an important question to ask you.
(And they’re going to give you money if they like your answer.)
Dwell and the AIA want to know: How green are you?
Here is your chance to show how Green you are and win Prizes for it!
The most inspired entries will be posted on the competition pages on Dwell.com and evaluated by our editorial staff and AIA architects. The grand prize winner receives $1000 and two runners-up will receive $500 each from the AIA to apply toward their next big Green Project! Enter Now.
Entry is simple
1) Pull together up to 4 images of your green or sustainable project, please include photo credits if the shots are not taken by you.
2) Write a simple yet specific 250 word description of the project highlighting the most important aspects of the project. You may include material names, vendors, etc.Entry Period
April 5th – June 30th, 2008Judging Criteria
Projects will be assessed on their sustainability, functionality, originality, cost effectiveness and design. Submissions will be judged by Dwell.com editors and AIA architects.
Visit the site for the rules.
Let me repeat something. The deadline is June 30th.
Take a look at some of the other entries.
And let them know about YOUR project! I want to see you win!
I don’t like carpet. I just read this article in Natural Home Magazine by Umbra Fisk that pretty much sums up why I don’t like carpet. Take a look.
Carpet is our nation’s No. 1 floorcovering for several reasons: comfort, ease of purchase and low, low price. These are great reasons to buy something, so it’s unfortunate that carpet should be avoided.
A carpet pad gives carpet its softness underfoot and protects the carpet backing. Carpets themselves are usually either woven or tufted material that’s tied and glued to a backing for stability. Almost all carpet fabric is petroleum-based—wool is the main exception—and turning oil into fibers is water- and chemical-intensive.
The worst components of carpet manufacturing, which should make us all care enough to avoid the stuff, are benzene and toluene, the volatile organic compounds (VOCs) in the adhesives. They and other chemicals outgas, making some sick and others worry. The good news is, there are less toxic carpets and some carpet companies have worked quite hard to reduce their environmental impact.
Buy wool if you can afford it, look for recycled-content carpet, use tacks rather than adhesives, or find carpet made with low-VOC adhesives that meets Carpet and Rug Institute (CRI) indoor air quality standards. Look for padding made of wool or recycled materials that doesn’t require adhesives.
No matter which carpet you choose, it still poses problems. You can’t avoid mold, dust mites and collected environmental toxins that you will drag into the house over time. Have you seen the grime in floor cracks? That grime is mashed into your carpet permanently, along with all the toxins already in the carpet.
If you have the cash, go with large area rugs. They can be vacuumed on both sides or shaken out, or taken to a professional. And for all you home décor mavens, they’re easier to change with the shifting fashion winds.
A special thanks to Umbra Fisk.
Umbra Fisk dispenses advice on all things green for Grist Magazine (www.Grist.org), an online publication that tackles environmental topics with irreverence, intelligence and a fresh perspective. To submit a question, e-mail JustAsk@NaturalHomeMagazine.com. Want more green advice? Check out Grist’s new book, Wake Up and Smell the Planet, for guidance on how to green your life. Go to www.Grist.org/WakeUp.</blockquote>
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I just saw this building on Metropolis in Stephen Zacks’ article about Jeanne Gang.
I love this building. I had to share it with you right away.
HYDERABAD

Harry Cobb invited Gang to propose a project for one of several apartment blocks being developed by Tishman Speyer for young professionals in Hyderabad, India. Taking cues from traditional Indian homes and the Gujarat stepwells, she devised a group of high-rises oriented around a courtyard.
Zacks quoted an interesting comment about Gang:
“Jeanne is very much a Midwestern architect,” says Stanley Tigerman, who has collaborated with Gang on several exhibitions, a book, and an upcoming unreleased project. “She got nothing from Harvard as best as I can tell. Her work is not frivolous, which you would expect from an Ivy League school. It’s about structure and construction. It’s rational but also poetic, and she’s quite willing to take a risk with structure. It’s a very Chicago kind of thing, the fascination with how you make things, how you structure things, how materials play into form. She will take a material and push it to its limit and a little further. She has immense courage, therefore she’s as good an architect as they get, gender notwithstanding, because I don’t know a lot of guys that have the balls to do what she does.”
As someone who is about to start at Harvard’s Graduate School of Design, this remark delights me. Late last year, I reviewed any student work that I could find on all of the graduate programs to which I was considering applying.
There were several schools that seemed like good programs…
…but the student work made mequestion the purposefulness of the curriculum.
I mean, some of the blobby Look-what-I-can-do models that these schools featured – supposedly to brag about their student talent and possibly lure in others who want to waste time designing things with no socially- or environmentally-redeeming factors – just smacked a little too much of mental masterbation.
So, because of this particular remark in this particular article, I think I’ll add one more thing to my list of things I’m excited about:
#272: Explore presence of frivolity at the GSD.
#273: Make sure that I do nothing frivolous at the GSD!
Anyway, I recommend reading the entire article about Jeanne Gang
I just read this article by Carol Steinfeld in Natural Home Magazine about using graywater legally.
Let me brief you on several types of graywater systems.
1. Shallow gravel or sand trenches: After filtering graywater in a surge tank, drain it into 18-inch-deep, gravel-filled trenches planted with water-loving species. This California-approved solution is relatively easy to permit in many other states.
2. Sand filter: Drained from a surge tank, graywater can be filtered through a basin full of sand before it’s piped to drip-irrigate an orchard or a greenhouse vegetable garden. In winter, divert graywater to a below-ground leachfield to avoid freezing.
3. Constructed wetlands: Wet basins full of gravel planted with water-loving species such as elephant ear and papyrus can function as a treatment system before you apply graywater to gardens. Plants and roots should be removed periodically to clear the basin of carbon residue.
4. Drip irrigation: Dispersing graywater to an entire lawn via drip irrigation—usually small hoses or pipes perforated with holes—requires filtering and treatment to avoid clogging.
5. Branched drain system and other mulch-filter systems: Graywater can be dispersed underground via a system of pipes that branch out to holes filled with woodchips, which compost the carbon and particles. In rustic variations of this, perforated basins of woodchips and straw at the outflow pipe are used to filter graywater before it’s discharged to the landscape.
6. Surface drip and spray irrigation: Spraying or otherwise applying graywater above ground usually requires, by law, disinfection through either ultraviolet or ozone disinfection or a reverse-osmosis filter. This must be approved in all states except New Mexico and Arizona.
One of my favorite books is Janine Benyus’ Biomimicry: Innoation Inspired by Nature. Deborah Coburn of Natural Home Magazine discussed some of the concepts of biomimicry and gave some guidance for those seeking to follow nature’s way.
Biomimicry’s core idea is that nature, imaginative by necessity, has solved many of the problems we grapple with in modern design.
Follow the light. Nature gathers the sun’s energy efficiently, using only what it needs to support life. Through photosynthesis, plants convert light energy and carbon dioxide into oxygen, which can be used by other forms of life.
People can use radiant energy in their homes through passive-solar design. South-facing windows warm a room in winter by letting in the sun’s rays. In summer, you can position window shades to shut out hot sun; essentially, you’re mimicking the way leaves and flowers follow the sun’s movement.
If you install solar panels at your house, the life-giving sun will provide your home with electricity or hot water. You also can save energy by relying on natural light whenever possible. If rooms are dim, consider installing skylights or daylighting tubes. Recent studies show that people think and perform better—and stay healthier—when they’re in sync with natural light cycles.
Make connections. In nature, diverse organisms form webs of interconnections and cooperative relationships. Ecological stability is a function of this complexity. Nature rewards cooperation with survival; species that endure are in harmony with their environment and with each other.
When this principle is in action in your home space, furnishings depend on one another for visual impact. A room comes alive with a mixture of patterns, textures, shapes, sizes and colors—all working together to create visual order. Keeping the room’s function and focal point in mind, you should distribute the furniture in a way that balances the room.
Next, hang art and arrange accessories to set up connections and correct imbalances. For instance, balance an off-center picture with a lamp or an object on a table. When framing and hanging art, try a variety of sizes, shapes, styles and frames in different finishes. When placing accessories, select a theme or color, then experiment with groupings, materials, textures, size and scale until you arrive at an arrangement you like.
“Come forth into the light of things. Let Nature be your teacher.”
—William Wordsworth
Combine form and function. Successful organisms have evolved to make the most of their environment, adapting their shapes to their ecosystem. A giraffe has a long neck to eat treetop leaves. An elephant has a trunk for feeding, drinking and showering.
When you choose home furnishings, you probably already select items based on their shape and function. Small chairs with upright backs are useful for dining, whereas upholstered lounge chairs say “relax.” Keep function in mind when selecting every piece of furniture. Does a large coffee table with drawers for storage make sense for you, or do you need something that’s easy to move? An ottoman might serve many functions: a place to rest feet, additional seating and a spot for a tray so a coffee table isn’t necessary.
Create life-affirming beauty. Nature knows the value of beauty. Flowers have developed showy petals, bright colors, tantalizing scents and sweet nectar to attract bees, which are necessary for pollination.
In interior design, use objects that reflect your passions. Love music? Frame old sheet music or leave instruments out for viewing and using. Love family? Hang photographs and memorabilia. Love nature? Bring treasures indoors as the seasons change to remind you of natural cycles. Put sand and seashells in pretty glass containers in summer; fill vases with autumn leaves in fall.
Optimize your resources. Find inspiration in the resilience of natural things. Perennial plants put down strong roots that see them through the winter so they can return summer after summer. Longevity is the reward for being efficient and learning to do more with less.
Sustainable interior design is also about doing more with less. “Eighty-five percent of manufactured items quickly become waste,” Benyus writes in Biomimicry. Consider longevity when buying furniture. Choosing sturdy, repairable pieces optimizes resources and makes your investments last.
Nature also uses materials wisely, and sometimes one structure may be recycled two or three times. A shell harbors the animal that made it, then might be reclaimed by another animal (such as a hermit crab). Ultimately the shell becomes sand.
In interior design, make sure everything you put in a room will have a long life and can be reused or donated when you are finished with it.
“When I judge art, I take my painting and put it next to a God-made object like a tree or a flower. If it clashes, it is not art.”
—Paul Cézanne
Follow the cycle of life. The grand cycle of death and renewal is a wonderful teacher. Materials, organisms and creatures live out their lives and are then reabsorbed for another use, thereby perpetuating life. Nature is a closed system in which there’s no waste: One species’ waste is another’s food.
By imitating these cycles, we can overcome linear thinking—and the linear path of material goods from cradle to grave, from manufacture to landfill. In your home, give objects a second life: An old birdcage can become the base of a side table, a fireplace surround can become a headboard; a lace tablecloth can become a window curtain.
Think locally. In nature, organisms adapt to their environment and develop a place in their unique ecosystems: Think cacti in the desert and broadleaf plants in a riparian area. Picture shorebirds with their elongated legs and narrow beaks—perfect for feeding at the tide line.
When designing your home, allow products and styles to stay in sync with their surroundings. Use local materials, designs and craftspeople to save shipping costs, connect you with your bioregion and sustain your local economy. Look to the colors of the region for inspiration. For example, when choosing an exterior color palette, match the paint to the soil, plants and landscape; use nature’s local know-how to make the buildings part of the place.
I just read this article by Susan S. Szenasy in Metropolis called “Invited to the Table: When design competitions reach for relevance, they can lead to discussions that move our thinking forward.”
An intense group of men and a few women sit around a large table in a bright room at the Portland Art Museum while spectators take in the proceedings. This is the meeting of Metro, the regional government that serves more than 1.4 million people who live in 25 cities and three counties in the Portland, Oregon, metropolitan area.
As jurors of the Metro-sponsored Integrating Habitats competition, we have been invited to the table to share our observations with the council. We’re an interdisciplinary group representing architecture, landscape design, conservation, watershed protection, development, and the media. Coming off a full day of reading, analyzing, and discussing a large number of entries from six countries, we are welcomed as trusted experts in the areas of design, ecology, and development. The group is asked, for instance, how local codes need to change in order to realize the best proposals and what the council should do to make this happen. As the conversation gains momentum, I realize that we’re witnessing a breakthrough in the annals of design competitions.
The Portland effort seems light-years ahead of the usual beauty contests, where architects and designers muse over last year’s projects produced by their peers and then award the best-looking pictures. In its name as well as its mission, Integrating Habitats feels fresh, hopeful, and open to possibilities. It is an ideas competition meant to create a dialogue on ways humans can live in harmony with nature—arguably, the most important topic of our time.
Metro’s call for entries was prompted by an expected population growth of one million in the next 30 years, and the pressures this will put on land, water, and other resources. Mindful of the citizens’ abiding love of the spectacular natural environment that surrounds them, the council set out to explore the possibilities of low-impact and eco-friendly development. They enlisted the expertise and enthusiasm of two young University of Oregon professors: environmental designer and ecologist Josh Cerra and his coteacher in an urban-ecology studio, architect Brook Muller. Together they helped create a detailed competition brief that asked designers to work with wildlife habitats and existing landscapes (both endangered and thriving), and integrate these with dense housing, reconfigured big-box retailing, and mixed-use developments.
I read this brief on my flight to Portland, catching glimpses of massive clearings for new subdivisions below and thinking all the while how outdated such land-use and building practices have become. The scorched-earth policy I see from the sky seems so twentieth century—so wrongheaded now that we know the damage such massive intrusions can cause to earth, water, air, and people.
After the council meeting, the museum holds a public opening to celebrate the winning designs, displayed for everyone to study and comment on. The evening is raucous, full of smart conversation energized by good local wines. As each project is recognized by the judges, the packed room hears how a dense housing development could be a catalyst for restoring nature while giving great views of, but not access to, the nearby woods; how big-box retailing could be brought up to date when converted to a green-building supply center where online ordering, computerized tracking systems, and connections to mass transit are considered; and how homes built with green materials—among them roofs of recycled rubber and framing of FSC-certified cedar—could be arrayed around an oak nursery in a community made for easy access by wheelchair users.
Taken together, the dozen winning designs start to redefine best practices for development in the twenty-first century: permeable paving for water filtration, riparian regeneration zones, phytoremediating walls, green roofs, bringing prefabricated construction to the site to avoid tearing up the earth with heavy equipment, easy connections to transit, plenty of walking and biking space, climate- and terrain-sensitive sitings. These are just some ideas for bringing us closer to nature and supporting healthier, more active lives.
Two days later, I’m at the MIT School of Architecture + Planning, in Cambridge, Massachusetts, a member of another interdisciplinary jury. We quickly settle in to the task of reading through large piles of folders that have arrived for the EDRA/Places Awards. Here, unlike in Portland where I witnessed a breakthrough, I’m part of something that has a 40-year history: the Environmental Design Research Association, founded in 1968 by design professionals, social scientists, and scholars, has been steadily searching to identify the kindest, gentlest places we can make. This research-based organization, in cooperation with Places, a peer-reviewed journal, works to get the word out on current best practices to the planning and development community. And the word this year is that the Pacific Northwest—Seattle in particular—is taking the leadership role in environmentally sensitive design. A park that revives a waterfront and invites citizens to connect with nature and art and a public library that sets the pace for environmentally friendly development in an up-and-coming neighborhood are two exemplary projects. They show clearly and beautifully that urban renewal’s destructive ways have been supplanted successfully by respectful solutions that put nature and people first. I don’t remember ever being able to draw similar conclusions from vanity design awards, no matter how much hoopla surrounded them.
What does Pritzker-prize winning architect Richard Rogers think about eco-towns?
“I think eco-towns are one of the biggest mistakes the government can make,” he said. “They are in no way environmentally sustainable.
“The retention of the green belt is essential. We need to increase density around public transport. We need to invest much more in public transport.”
Amen!
I just read this in Architectural Record by Tim McKeough.
Construction plans for the site of Le Corbusier¹s chapel of Notre Dame du Haut (1954) in Ronchamp, France, have ignited a vigorous debate, pitting leading architects against each other, and sparking disagreement between organizations seeking to preserve Le Corbusier¹s legacy.
Designed by Renzo Piano, the project was commissioned by the Association Oeuvre Notre Dame du Haut, the same organization that commissioned the chapel by Le Corbusier, widely regarded as a 20th-century architectural masterpiece. The plan calls for the replacement of an existing visitor’s center and asphalt parking lot with a new visitor center dug into the hillside and a landscaped parking lot. It also features a new facility to host 12 Poor Clare nuns and their visitors. The convent—to be located primarily underground, about 300 feet west of the chapel—would contain small, independent residential units and an oratory open to pilgrims. According to the association, the overall goal of the project is to rehabilitate the site and ensure it remains a place of worship.
In an early chapter of his interesting new book, Symmetry: A Journey Into the Patterns of Nature, Marcus du Sautoy describes a visit to the Alhambra, the great Moorish palace in Granada, Spain. He and his young son spend an afternoon identifying 14 different types of symmetry represented in paving patterns, ornamentation, and tile work. To the layman, the patterns may look simply like pretty forms, but to du Sautoy, who teaches mathematics at Oxford University, they are expressions of deep geometries that have their own names: gyrations, *333s, miracles, double miracles.
We’ve got another victim to Progress.
The School Board voted Tuesday to move forward with plans to tear down a historic building at Riverview High School, ending a two-year-long effort by local activists to save it.
Tiffany Lankes of the Herald Tribune tells us the sad news about Paul Rudolph’s Riverview.
It was a rare standing-room-only School Board meeting, with the crowd split.
Teachers and students wore Riverview colors and said a plan to convert the old building into a music complex would further cramp an already tight campus. They also expressed concerns that the complex would jeopardize security by allowing more people on campus.
Those who wanted to save the building, designed by famed architect Paul Rudolph, wore green stickers and argued that it is too precious to tear down. Converting it into a music complex could attract top talent to the community and become a resource for students, they said.
In the end, board members said the decision hung on whether the group trying to save the building could come up with enough money for the project.
This is FULL ON CRAZY TIME for apartment rentals in the greater Cambridge area. I spent the past week walking around the Harvard periphery looking for a suitable place for the fall, and this is what I found:
1. Cambridge is unbelievably expensive.
I’ve lived in a few college towns, and the nice thing about college towns is that the rents tend to be aligned with a typical college student’s budget. Cambridge is not one of those places. A simple 1 bedroom could run you $2,000 a month.
2. The rest of us get shoved into every nook and cranny.
Just outside of Cambridge, rent gets more affordable. Plenty of old houses have been chopped up into maybe 6 or 8 apartments each. I don’t think some of the places we saw were up to code. We climbed up one 18″ wide stair case. The banister was wobbly because it had been removed and reattached so many times – unscrewing the banister is the only way to move your furniture up and down.
3. Apartments have fees.
Almost all of the apartments we looked at have fees. This means that the owner doesn’t want to deal with showing the place himself so some real estate broker does the showing instead. If you like the place and want to move in you’ve gotta pay the broker half a month’s rent. So let’s do some math: Expensive rent divided by two, times the bijillion tiny apartments in the area equals A LOT OF FRICKEN MONEY for those brokers!
4. Public transportation is AWESOME!
The poor urban planning of Los Angeles sentences its residence to either car ownership or maddeningly long and inefficient bus rides. Cambridge/Somerville is different. You can catch a bus to a T station from just about anywhere. I’m so excited about that that I want to say it again, but in a different way: I get to sell my car! I will no longer be forced to idle on stalled freeways, or choke on exhaust, or spend almost $5 per gallon of gas, or get my oil changed, or hear my mechanic tell me that I owe him hundreds of dollars.
Marcus Fairs of Building Design wrote about an insidious force is stalking the built environment in an effort to undermine architects.
Its work is carried out in secret and its members are sworn to oaths of silence. Most people — even those whose careers have been scuppered by its activities — are unaware of its existence. Yet the Society for the Frustration of Architects is as ruthlessly effective as Opus Dei or Al Qaida.
SoFA’s mission is simple: to deny architects their rightful place in the country’s power hierarchy and eradicate their poisonous architecture from the land.
I wish I could remember the name of the book where I first read about Curitiba, Brazil, and the work of architect/planner/mayor Jamie Lerner.
I would tell you to go read it. And get inspired. Because this guy is a genius.
He completely transformed this Brazilian city in a way that would put most large American cities to shame.
The best part is that you, future architect/planner(/mayor?) can copy him, and work miracles in your city.
But I forgot the name of the book.
HOWEVER, I just came across this interview about the King of Smart himself in Metropolis magazine.
Next year marks the 35th anniversary of a simple but transformative idea in urban planning and transportation: Curitiba, Brazil launched a surface bus system that behaves like a subway. Better than, in some ways. Double-articulated vehicles carry large volumes of commuters, passengers prepay their fare in glazed boarding tubes, designated lanes keep traffic flowing smoothly, and one bus trails the next by one minutes’ distance. Curitiba’s transit system was established with little municipal investment and at a fraction of the cost of subterranean excavation, and today it carries some 2 million people per day.
Jaime Lerner was serving his first term as mayor of Curitiba when the city’s bus system began service, and the innovation catapulted the then-37-year-old architect and urban planner not only to two more terms as mayor and another two as governor of Parana State, but also to the forefront of contemporary urban planning and of the nascent sustainability movement. (Indeed, besides public transportation, Lerner implemented a recycling program in Curitiba that still enjoys an impressive participation rate.) Lerner has deftly juggled his design and political careers, and since 2003 he has run an eponymous architecture firm from Curitiba.
The good thing about Curitiba is that the people are used to innovation and demand it from every mayor.
Have you been to Balboa Park in San Diego?
If it always takes an hour to find a parking space, I probably never would have seen it. But I wasn’t driving. My boyfriend, who is not as completely freaked out by traffic as I am, was driving. Which means that instead of running away screaming at the shear number of other circling cars, we eventually found a parking space.
You don’t have to have the same fortitude that he possesses. You can just check out my pictures.
My boyfriend and I went to San Diego for Memorial Day weekend. I have pictures to show you. I also realized that I had to create a new category: “My Travels.”
Today we’re going to take a look at the San Diego Mission.
This is a special place to me; it was the first church I ever entered at a ripe old 11 years of age. I remember my mom yelling at me for running around, excited over all the stuff to look at. And boy did I get it when discovered the holy water and stuck my whole hand in it. My family is not Catholic and has been staunchly so since we were kicked out of France in the mid-1700’s. But 12 years after plunging my hand into the holy water, I ended up converting. (My mom didn’t like that either.)
If you can make out the little font by the door on the left side of the church, that’s where I essentially baptised myself.
This is some kind of palm in the courtyard. Is there such a thing as a Birds of Paradise palm? Because that’s what it looks like.
I love covered walkways (I don’t think it technically qualifies as a portico).
Stay tuned for Part II when we take a look at Balboa Park.
I went to go see the Gamble House in Pasadena a couple of weekends ago. I have pictures for you.
You know you’re an architecture student when you take pictures of steps.
The front door
An outdoor lamp
A Recurring Joinery Motif
Aside from the sleeping porches, this is probably my favorite part. The beams are strapped together with cast iron bands so that, in an earthquake, the beams will slide a little rather than break.
Pictures don’t do it justice. And also, interior pictures are not allowed. You are doing yourself a grave disservice by allowing yourself to be satisfied by my pictures alone. You should go to Pasadena. Pay the $10. And prepare to be astounded.
The Gamble House in Pasadena, California, is an outstanding example of American Arts and Crafts style architecture. The house and furnishings were designed by Charles and Henry Greene in 1908 for David and Mary Gamble of the Procter and Gamble Company. The house, a National Historic Landmark, is owned by the City of Pasadena and operated by the University of Southern California and is open for public tours.
I just saw this article by Andrew Farrell on Forbes.com called “The Billionaire Universities.”
For every one opening at Harvard’s undergraduate college, there were 14 hopeful high school applicants. Despite the daunting odds, there’s good reason to try to win one of those coveted acceptance letters.
Harvard is consistently ranked as one of the top schools in the country. Its $35 billion endowment makes it the best-funded college in the United States.
Oh, and there’s this: Harvard students are more likely to become billionaires than graduates of any other college.
Of the 469 Americans on Forbes’ most recent list of the world’s billionaires, 50 received at least one degree from Harvard. The school has produced 20 more current American billionaires than No. 2 on our list, Stanford University.
Harvard’s billionaire alumni are an accomplished group. They include Microsoft Chief Executive Steve Ballmer, New York City Mayor Michael Bloomberg and media tycoon Sumner Redstone.
Which is good news because I’m not so much into this poverty thing.
What is Phase One of VERB? It's a collaborative pedagogy model. That means that architects, interns, designers, builders, students, professors, people considering architecture, and yes, even bored housewives can and should participate.
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Know of some others I can add here? Let me know. Have you already visited some of these places...or planning on it? Let me know and I will feature your story and your photos here!
I am starting a new kind of architecture school. Unlike most architecture schools, you wouldn't have to submit GRE scores or good grades or letters of recommendation. You wouldn't have to put the rest of your life on hold for 3 to 5 years. You wouldn't have to accrue tens of thousands of dollars in debt. At my architecture school, anyone could come for a few weeks and learn how to build a house with their own two hands. My teachers would take skills and concepts from some of these other workshops I've listed above... except classes would be held year-round to make it easy to fit into your schedule. I would have a number of different campuses around the country that would teach building designs appropriate to the local climate. And I need your help. Can you donate land for a campus? Can you dotate books for a library? Can you teach a workshop? Can you provide start-up capital? Let me know.
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